But...butthat high flutter C was my favorite part of the piece!
It really should be on every audition list. ;-)
Bob Dickow
- Original Message -
From: "Robert Ward" <[EMAIL PROTECTED]>
> I'd rather forget it, if you don't mind. :)
[EMAIL PROTECTED] wrote:
>
> > Let's not forget the
I have a Moosewood BW13 that I will probably will put up on e-bay unless
someone has an interest in an even swap for it. I'm interested in either a
Moosewood B16 or C14. Reply with your offer.
Russ Smiley
Marlborough, CT
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Disclaimer: An amateur's comment follows and may be worth very little. If
you've got one, run it by the teacher first.
I started on the trumpet, but changed to the horn when a sophomore in high
school, and I could double tongue on the trumpet when I left it but I
couldn't on the horn. I fortunat
At 8:03 PM -0800 11/13/02, Luiza Raab wrote:
>Could you help me with getting the informations how to contact the makers of
>Berg Horn. I tried to find some adds in last Horn Calls but they are not
>there. Thank you very much.
http://www.berghorns.com/
Carlberg Jones
Colima, Col., Mexico
mailto:ca
Hi,
www.berghorns.com
Hope all is well.
Best regards,Jerry
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Could you help me with getting the informations how to contact the makers of
Berg Horn. I tried to find some adds in last Horn Calls but they are not
there. Thank you very much.
Luiza Raab
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Yahoo! Web Hosting - Let the expert host yo
If you know, could you tell me please who is the hornist in the Scottish
Chamber Orchestra's recording of Haydn's Symphony 51 on the Delos label.
Gerard Schwarz conducted.
Russ Smiley
Marlborough, CT
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Listers:
If anyone on the two horn lists ever played with the California Junior
Symphony in Los Angeles under Peter Meremblum between 1936 and the 1960s,
or knows of someone who has (not only hornists), please pass the word
that an orchestra reunion is being planned for the summer of 2003 in Los
A
I'd rather forget it, if you don't mind. :)
B
On Wednesday, November 13, 2002, at 04:10 PM, [EMAIL PROTECTED] wrote:
Let's not forget the flutter-tongued fff hi C in movement
5 (Cloudburst) of Grofe's Grand Canyon Suite.
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--
[ Picked text/plain from multipart/alternative ]
In a message dated 11/13/2002 5:59:45 PM Central America Standard Ti,
[EMAIL PROTECTED] writes:
> Both techniques appear not only in numerous modern works, but also
> figure prominently in the very standard symphonic repertoire - e.g.
> flutter-
Leigh Alexander wrote:
>>And the flutter tongue ? Why so curious about it ?
>
>Hans, I don't want to be curious; but it's a circus trick
>some composers ask us to perform.
Lest this discussion generate some doubt in the minds of some of the
younger list members, I should point out that neither tri
You mean we get what we pay for?
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, November 13, 2002 4:10 PM
Subject: [Hornlist] Re: Tom, Dick and Harry
> --
> [ Picked text/plain from multipart/alternative ]
> Prof. Cabbage writes:
>
> > you should
--
[ Picked text/plain from multipart/alternative ]
Prof. Cabbage writes:
> you should have gotten an agreement
> for payment before giving
> your advice, Kenny,
>
>
Dr. Cabbage is correct here but I was giving FREE advice! Isn't that the
great thing about these lists?
KB
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In a message dated 11/13/02 10:42:41 AM, [EMAIL PROTECTED] writes:
<< (anyone ever play a band piece that calls for a cup
mute? I have) >>
Hi, Leigh. Yes, I have. Humes and Berg sells a cup mute for horn. It's a
tad different sound, but BIG! It won't go in a horn case and enjoins one to
ca
You're certainly right about the teaching aspect. I've never found a
satisfactory way to teach the technique to someone other than to demonstrate
it. I imagine in Europe and other places where a rolled "r" is part of the
spoken language it's a no-brainer, but in the US, we don't use that
techniqu
Just a couple of my cents worth.
The biggest problem most of us have/had with multiple tongueing is that
we try to use it in context (i.e. fast tongueing) too soon. You gotta practice
it
slowly every bit as much as practicing fast single tongued or slurred or
awkwardly fingered passages slowly. Th
You wrote:
> I simply lightly take the flat area just behind the tip of my tongue
> and place it flat against the roof of my mouth just above and
> behind my top teeth and then blow. The air flow causes the tongue
> to separate from the roof of my mouth and my muscles cause the
> tongue to restor
This is an interesting subject to me. I learned to flutter tongue by
learning to speak a little Rrussian in preparation for a cultural
exchange tour there. I'd always assumed anybody could learn to flutter
tongue as it seemed easy enough to do. Then I met MA who can do every
weird thing but
On Wednesday, Nov 13, 2002, at 05:44 US/Eastern, Prof.Hans Pizka wrote:
And the flutter tongue ? Why so curious about it ?
Hans, I don't want to be curious; but it's a circus trick some
composers ask us to perform. Apparently they can't let the flutes have
all the fun:-| When ever we complain
From: [EMAIL PROTECTED] (Prof.Hans Pizka)
But the heck, why do you want a triple tongue, for what music >...tons
of excerpts for all horn parts from 4rth to 1st
I sure can't play "Scheherezade" or the opening of "Don Juan" without triple
tonguing!
There are some people who just can't singl
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