Friends,
up to now, the survey I recently proposed was not a big success: I
only received 3 answers, though they are from well-known and highly
esteemed professionals. To all the others I say: COME ON! PLEASE
ANSWER! It will only take a few minutes (if you choose to write short
answers).
In
I just tried the link and it won't come up. Any suggestions?
Sonja Reynolds
In a message dated 2/17/03 2:59:18 AM Mountain Standard Time,
[EMAIL PROTECTED] writes:
http://www.corno.it
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post: [EMAIL PROTECTED]
set your options at
Hello Professor,
I received the music this weekend. Many thanks for your very prompt action
on my order! Kristin and I are having a wonderful time reading through
this material.
Best wishes,
Amy McBeth
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post: [EMAIL PROTECTED]
set your options
Sorry, meant to send that directly to Herr Pizka!...
A.
At 10:39 AM 2/17/2003 -0600, you wrote:
Hello Professor,
I received the music this weekend. Many thanks for your very prompt
action on my order! Kristin and I are having a wonderful time reading
through this material.
Best wishes,
Steve wrote:
Both the Canadian Brass and Empire Brass have made huge use of rehearsal
recording and listening to achieve their high level of performance.
To which Hans replied:
You have quite strange views about the reality of a professional musicians
life. If they are not on the same page,
I was in Madison, WI over the weekend and happened to catch a
performance by Yid Vicious, Madison's and maybe all of Wisconsin's
premier klezmer ensemble. When the band appeared on stage, there
instead of the expected trumpet player was Kia Karlen, playing horn
(YHR668D, btw). I'd never heard
Mr Lefebvre may really have meant petit Conn ... a normal enough typo.
Voilà!
Soit!
Bob Dickow
Lionel Hampton School of Music
- Original Message -
From: [EMAIL PROTECTED]
Mr. Lefebvre wrote: petit con
Sir,
Your rude comment suggests that you are completely inept at wording an
Message text written by The Horn List
This message is to tell the hornlist that Jan Bos, who was solohornplayer
in the Royal Concertgebouw Orchestra of Amsterdam, has died 2 weeks ago. He
was born in 1909 en played in Amsterdam from 1937 to 1974. I can remember
him playing Wagnertuba in a
Bob D wrote
Mr Lefebvre may really have meant petit Conn ...
a normal enough typo. Voilà!
Soit!
Actually, I believe M. Lefebvre was attempting to
lighten the tone of the discussion by offering a
term of endearment with which I am quite
familiar, mon petit chou.
By the way, I thought
Carlberg,
You bring up some good points. First, with the minidisc approach, it is
right there and one would record a section or entire work and then listen
back immediately. Then everyone is also there to hear it and whomever is
designated, as Hans has said, as leader can guide the
Could anyone provide me with a front back picture of a Weimar - Schmidt double horn
(you know the one with the awkward piston change valve). digital picture of any format
and size possible, as I can read all have DSL (speed).
Many thanks in advance for your very quick action. Need it within
Hi,
I need to obtain the horn parts for the band version of Polka and Fugue from
Schwanda. Can anyone offer suggestions of where I might be able to buy these
parts? Somehow our band ended up with only 1 first horn part in Eb (none in
F) and we don't have the money in our budget to buy another
Hello Hans,
Will you be bringing any of your horns to sell or try at the International
workshop this year?
John
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Je voudrais vous dire que Monsieur Lefebvre n'a pas dit le Grand
Conard qui serait pleines de profanités surtout. A mon avis, quitte-le.
Ce n'est pas important dans nos vies. Continuez à jouer le cor.
Ça , c'est important! .de cultiver les dons que nous avons reçus de
NOTRE SEIGNEUR!
John,
I haven't been corresponding with him recently, but, according to the
current Franklin Marshall College website:
Benjamin, Barry B.MEY207 Adjunct Professor, Music [EMAIL PROTECTED]
If you get in touch, tell him I said hi.
Peter Hirsch
[EMAIL PROTECTED]
[EMAIL PROTECTED]
Louise Schepel reported on the death of Jan Bos, and asked if anyone else
had heard him live.
I'm very sorry to hear of Mr. Bos' death. I heard him live in the
Concertgebouw in 1955, during a weekend pass from my Army post in Stuttgart.
I think he was playing a double Knopf at the time, but it
Hans wrote:
You have quite strange views about the reality of a professional musicians =
life. If they are not on the same page, as you said, they can NEVER
perform=
at that great level as Canadian or Empire Brass. AND FOR THE RECORDINGS.
T=
HERE IS ALSO A PRODUCER; WHO CAN READ MUSIC
Since decades the second movement, Largo, of the Vivaldi Concerto in F major
for 2 horns has had my interest. Vivaldi intended that movement as a rest
for the 2 soloists between the two outer movements, so here we have a
beautiful cello solo in D minor.
I have made several arrangements of that
If I will come (plans are that I will be there), I will have a double a Viennese
Horn with me. But all depends on the grim circumstances, sorry.
John Dutton [EMAIL PROTECTED] schrieb:
Hello Hans,
Will you be bringing any of your horns
Sorry, Steve, my bloodpressure is lower than most expect, otherwise I could not do
Siegfried etc. And I am not yelling, as you suppose, when I say something absolutely
true. I just wonder about the very curious advise often given by people who have
zero ideas about real professional horn
As far as I know, the site is up and works properly. Maybe there were
problems in that moment when you tried.
I will email the questions to anybody who asks it. Unfortunately, my
html skills are not yet sufficient for enabling you to write the
answers online.
Thanks again,
Daniel
I just
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