Thank you all for your input on this piece; I see now that I have my work
cut out for me. I only hope my friends enjoy listening to it as much as I
enjoy playing it.
-Carl
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I have read several times that some notable horn artists do NOT like their
sound up close. I believe that has a great deal with WHERE they perform.
Many years ago, I was playing in the University of London Orchestra, and
part of one of our concerts was recorded by the BBC as part of their
Please pardon the cross posting to both lists.
Paul Mansur asked for a review of the recent
Southeastern Horn Workshop held in Columbus, GA. I
was there on both Friday and Saturday, so here are
some observations. One man's opinion, of course.
First of all, finding the workshop location was
Timothy wrote:
OK - I've read this a few times, the idea of singing through the horn.
Would someone care to elaborate on this a bit more? Is this a specific
technique, or more a matter of state of mind?
It seems that other people understand singing through the horn
differently to me.
Having
Dear Mr. West (and everyone else who is willing to offer advice),
I have encountered the same issue. I find myself blowing with all my
might to be heard and find that my sound still seems unsupported. I do
not often listen to recordings of my own playing, but a few recordings of
my solos with a
Dear Wilbert,
That horn player from the Florida Orchestra was James Wilson; I agree, I
find him to be a wonderful horn player; he teaches at University of South
Florida. I attended a master class of his in December, and he played a
very interesting quartet with two of his graduate students and the
O.K - while I'm on line
A week or so ago I watched a televised concert with the Vienna Phil. I can't remember
now what they were playing or where, but I was struck by the fact that one of the two
hornplayers was playing what seemed to be a full-double german horn while the other
Hi,
What does all this say about microphone placement?
I was recently involved in a local radio recording with a small wind ensemble. The
recording engineer insisted on lacing my microphone directly behind my bell. I tried
to argue but he wasn't interested in changing the position. Is this
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