I'm pretty sure Holton tuned them to A=442 with the slides all the way in, a
reasonable amount of pull should give A=440. You could get the tuning slide
lengthened if it doesn't get there. I'd think about lengthening that little Bb
slide first. Those were sometimes kinda short in the 70s. Wi
Hans, dear sir, a careful reader would determine that my comments were not
in reply to you.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of hans
Sent: Sunday, February 25, 2007 4:13 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Bating the hornists' nest
Servus Hans!
Vielen Dank fuer die Erklaerung. Jetzt ist es so klar wie die Sonne!
Richard in Seattle
hans wrote/schrieb:
Dann eben auf Deutsch: Notenschluessel und Abortschluessel
oder Abortschuessel sind nicht das Gleiche, mein Lieber.
Natuerlich meinte ich 15th. Bei uns gibt es das in der
Dann eben auf Deutsch: Notenschluessel und Abortschluessel
oder Abortschuessel sind nicht das Gleiche, mein Lieber.
Natuerlich meinte ich 15th. Bei uns gibt es das in der
Terminologie nicht. Da heisst es gleich, wie von mir auch
dargestellt, Doppeloktave.
Wenn ein Student wegen seiner oder ihrer
I am reminded of a quotation attributed to President Andrew Jackson, "It is
a damned small mine that can think of only one way to spell a word."
As someone who has been spelling challenged for a long while in my native
language, I found one of the basic rules suggest for the internet, "it is
con
Howard, there is no difference in the amount of measures, no
in the solo part, except the few measures with the aliasses,
but the alias in the second movement is also part of the
U.E. edition, who took over from Eibl. The facsimile of the
Piano reduction shows some cancelled measures, but they
obv
A prominent musician recently offered:
"Practise one octave jumps tongued and slured, practise the
same way for nineth, tenth, eleventh, twelvth, thirteenth,
fourteenth, fifteenth & finally double octaves... And
that are double "octaves" not "octives"...
And it cannot be the a-flat above the cle
A couple of years ago--well, at least a year ago--Bill Melton made
a very clear, erudite post on this list about the piano vs.
orchestral versions of Strauss 1 and the sources of the
discrepancies between the two. Looking it up would be worthwhile.
Howard Sanne
I believe my old Schmidt is still on consignment at Best Music in Oakland,
California. The horn doesn't look very good, with quite a number of patches,
but It plays great. Contact me off this list for more information.
Richard Burdick
___
post: hor
The point was not the aliasses, but that the orchestra score
was written first (not published first, this took several
years because of the finances involved in the settings for
print) NOT the piano version. He had not labelled it
"Clavierauszug" then.
==
Probably everyone knew that this alternate part was from R. Strauss, himself,
by I did not. Had assumed the lower notes were from some over-protective
publisher or editor, who might also think they would sell more copies if a
lower alternative was provided. Thank you...
Fred
- Original
I just copied & scanned the facsimile op.11 for a player in
the USA. The facsimile is a piano reduction of the orchestra
score, as the title reads "Concert fuer das Waldhorn mit
Begleitung des Orchesters oder Pianoforte (Es dur) componirt
von Richard Strauss op.11" (Concert for the horn with
accomp
The tuning slide should bring it down to 440--unless you play on the sharp side
of the slot. However, a repair person should be able to add legs to the tuning
slide, that is, to lengthen it.
I have the opposite problem: I play on the low side, and I can't get up to 442.
Shortening the horn is har
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