most instable note on any horn, the a-flat
Thank God. I thought it was me. Regards,
Joe
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/joescarpelli%40earthlink.net
Perhaps you too, not just the horn. Beethoven 7th - 11 - 12
- 13 - go (g#-f#-e)
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Joe Scarpelli
Sent: Tuesday, February 27, 2007 1:36 PM
To: 'The Horn List'
Subject: RE: [Hornlist] 2 Octave jump
most
Does anyone remember what Laskey size of mouthpiece Gail Willams uses? I've
forgotten.
Thanks.
Wilbert in SC
___
post: horn@music.memphis.edu
unsubscribe or set options at
I think it is 85GW
Dave
On Tue, 27 Feb 2007, Wilbert Kimple wrote:
Does anyone remember what Laskey size of mouthpiece Gail Willams uses?
I've forgotten.
Thanks.
Wilbert in SC
___
post: horn@music.memphis.edu
unsubscribe or set
Anna said...
Correct me if I'm wrong, but aren't many horns built at A=442, with the
idea that the insertion of the hand in the bell brings the pitch down?
I think that for the most part, it's not the horn that plays sharp, it's
the player that plays sharp, mostly caused by
Once you have mastered a two octave leap on the
note A flat, you might want to look at Stanley Weiner's
Horn Concerto, which ends with a two octave glissando
on this note - two octaves down, then two octaves up.
Gotta go,
Cabage
**
AOL now offers free email
OK Hans, you asked for it. Oh, no, I don't mean a fight. Never. Just
some friendly banter. Pardon me if I slice and dice a bit, though.
from: hans [EMAIL PROTECTED]
subject: RE: [Hornlist] 2 Octave jump
Wendell, Wendell, Wendell, why starting with the formula one
car, if one does not know
Any suggestions for music composed for horn and clarinet?
Paulette Velazquez
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Handel Overture in C for 2 clarinets and horn - a little gem.
All the best,
Lawrence
lawrenceyates.co.uk
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Any one find something strange with this message?
Once you have mastered a two octave leap on the
note A flat, you might want to look at Stanley Weiner's
Horn Concerto, which ends with a two octave glissando
on this note - two octaves down, then two octaves up.
Gotta go,
Cabage
[EMAIL PROTECTED] wrote:
Any one find something strange with this message?
Once you have mastered a two octave leap on the
note A flat, you might want to look at Stanley Weiner's
Horn Concerto, which ends with a two octave glissando
on this note - two octaves down, then two octaves up.
Gotta
Ich denke, dass es sehr grossartig ist, beruemte and gelehrte hornspieler am
Internet ihre meinungen schreiben. Wir koennen viel lernen!
Trotz Buchstaeben and typos.
William Lynn
___
post: horn@music.memphis.edu
unsubscribe or set options
You've hit it on the head. A straight forward message from our resident
pun master, complete with useful information.
[EMAIL PROTECTED] wrote:
Any one find something strange with this message?
Once you have mastered a two octave leap on the
note A flat, you might want to look at Stanley
Dear colleagues,
I have the opportunity to perform an unusual piece by Bartok called 3
Dorfsz. It is scored for winds, strings, piano and voices. We've yet to
rehearse the piece but I have listened to a recording of it. It's very
rhythmic, quite fast throughout, with a few slower, more melodic
Jonathan, get yourself a Lawson pipe. After hearing several H180's with Lawson
pipes (Tuckwell's included) I am a big believer in it. (I believe the model is
FB114.125, but Bruce Lawson or Kendall Betts would be the one to ask.)
Unfortunately, I am sure you will consider it too $$$. In my
15 matches
Mail list logo
