RE: [Hornlist] Lost in Translation?

2008-04-20 Thread John Baumgart
Whoa! Now I know where to go for all my aberrant lineament instrumentate needs. The strange thing is that when you go look at the "More info..." pages, it makes sense, as if it were translated from English to Chinese and back by some bad translation software. The domain name registration is anon

[Hornlist] Flute,Horn & Piano plus--

2008-04-20 Thread Otto Henry
If anyone's interested, I have a piece for flute, clarinet, horn and piano called Island In The Sun --pub. by Media Press (www.mediapressinc.com)It seems to be selling well and getting some performances here and there. Also have some quintets +piano and a Cappricio for solo horn. Well, just b

Re: [Hornlist] Re: Phrasing

2008-04-20 Thread [EMAIL PROTECTED]
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Re: [Hornlist] Re: Phrasing

2008-04-20 Thread MARKSUERON
Kendall, I didn't understand this. How do you equate the bar with the entire phrase. Or am I misdefining bar. Ron In a message dated 4/19/2008 9:11:11 P.M. Eastern Daylight Time, [EMAIL PROTECTED] writes: Pick ups are strong, downbeats are weak, the following notes of the bar (or

Re: [Hornlist] Pick-up notes

2008-04-20 Thread [EMAIL PROTECTED]
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[Hornlist] 200 High C Project

2008-04-20 Thread Jay Anderson
> Now I'm dying to know what Bill's "200 High C Project" is... http://www.thepetersonproject.com/ look for season 1 episode "Vermeulen Horn Crew". -Jay ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailm

Re: [Hornlist] Pick-up notes

2008-04-20 Thread Ellen Manthe
In teaching a group of beginners (10-11 year olds) their first solo (required) for S&E as 6th graders at Collierville (TN) Middle School, the beginning introduces them to syncopation - well actually, there is an exercise in the Time for Band book that precedes it. So we sing: "Sen Sa' tion al, sen

RE: [Hornlist] Re: Phrasing

2008-04-20 Thread Steve Freides
Very well said, Debbie! -S- > -Original Message- > From: Debbie Schmidt [mailto:[EMAIL PROTECTED] > Sent: Saturday, April 19, 2008 11:06 PM > To: The Horn List > Subject: Re: [Hornlist] Re: Phrasing > > I will add a couple of general things . Classical music is > always either going t

RE: [Hornlist] Re: Phrasing

2008-04-20 Thread Computer Intelligence LLC
Debbie reminds us, "Classical music is always either going to someplace or coming from someplace ..." And sometimes both; the end of one phrase can also be the beginning of the next phrase which makes for some interesting mental gymnastics. Please refer to David Kaslow's book, "With Aspirations Hi

[Hornlist] Pick-up notes

2008-04-20 Thread dlundeen
It seems to me that most melodies can have words added to them. I'm sure many of us do this when trying to teach our students how we want them to phrase or to illustrate the emotional content. A singer has to have a very clear picture of the entire phrase before he starts, especially the emphasis

RE: [Hornlist] Re: Horn Digest, Vol 64, Issue 19

2008-04-20 Thread Pandolfi, Orlando
Now I'm dying to know what Bill's "200 High C Project" is... Orlando ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2. memphis.edu/mailman/options/horn/pandolfi%40deerfield.edu ___

[Hornlist] Lost in Translation?

2008-04-20 Thread Dennis Herrick
Having lived abroad and seen well meaning funny translations, I get amused easily with this kind of thing. Here a page of horn descriptions: http://muinstrum.com/french-horns/ For example, the Conn 11DS Symphonic: "Flawless craftsmanship and unexampled chant by means of the next features: franci