Bar line = ?( end of measure, I don't think so). Thanks again.
In a message dated 4/21/2008 11:56:13 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:
Yeah, I knew this would be confusing to write about. Bar is the bar line.
To clarify, I was speaking of the final note of the ph
Sorry, Eldon. What calendar are you using? The 27th of April is on
Sunday according to my calendar.
Paul Mansur
On Apr 21, 2008, at 5:17 PM, Eldon Matlick wrote:
For those of the readership that may be interested, the OU School of
Music will feature a concert of brass music on Wednesday, A
Doug, what you say is the concept of phrasing that I strive for. However,
Kendall Betts, no mean player and teacher himself says,
"Pick ups are strong, downbeats are weak, the following notes of the bar (or
beat) go 'up' through the last beat (or end of the subdivision), to the
weakened downb
Hello, all:
I recently found a recording of Flanders & Swann's "III Wind", which
puts words to the Rondo of Mozart's Horn Concerto No. 4 (K495). Does
anyone know if the two did the same to other prominent horn pieces?
Thank you very much.
--
Tim
Tim,
No they did not. I have their complete collection (3 CDs) which is definitely
worth having but it includes no other horn pieces. The others are very funny
though and some of the tunes are quite memorable. I believe that the set can
still be purchased, at least through Amazon UK.
Gretchen
Check the tempo the two use for the piece. As I recall it is much faster
than normal. The story I heard was that Flanders used a recording of Brain
playing the Mozart to come up with the piece. He was using a record player
not quite set right and played back at much faster than normal. So much
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