Re: [Hornlist] Re: Horn Digest, Vol 64, Issue 21

Bar line = ?( end of measure, I don't think so). Thanks again. In a message dated 4/21/2008 11:56:13 P.M. Eastern Daylight Time, [EMAIL PROTECTED] writes: Yeah, I knew this would be confusing to write about. Bar is the bar line. To clarify, I was speaking of the final note of the ph

Re: [Hornlist] Brass Concert at OU

Sorry, Eldon. What calendar are you using? The 27th of April is on Sunday according to my calendar. Paul Mansur On Apr 21, 2008, at 5:17 PM, Eldon Matlick wrote: For those of the readership that may be interested, the OU School of Music will feature a concert of brass music on Wednesday, A

Re: [Hornlist] Pick-up notes

Doug, what you say is the concept of phrasing that I strive for. However, Kendall Betts, no mean player and teacher himself says, "Pick ups are strong, downbeats are weak, the following notes of the bar (or beat) go 'up' through the last beat (or end of the subdivision), to the weakened downb

[Hornlist] Flanders and Swann

Hello, all: I recently found a recording of Flanders & Swann's "III Wind", which puts words to the Rondo of Mozart's Horn Concerto No. 4 (K495). Does anyone know if the two did the same to other prominent horn pieces? Thank you very much. -- Tim

Re: [Hornlist] Flanders and Swann

Tim, No they did not. I have their complete collection (3 CDs) which is definitely worth having but it includes no other horn pieces. The others are very funny though and some of the tunes are quite memorable. I believe that the set can still be purchased, at least through Amazon UK. Gretchen

RE: [Hornlist] Flanders and Swann

Check the tempo the two use for the piece. As I recall it is much faster than normal. The story I heard was that Flanders used a recording of Brain playing the Mozart to come up with the piece. He was using a record player not quite set right and played back at much faster than normal. So much