Yup, I know that, but most of those only are directed towards singers, so that
the obligato also is in the piano arrangement. Doubling piano and horn (in
octaves) on the obligato will sound like a word not suited for this list.
Klaus
--- On Sat, 12/6/08, [EMAIL PROTECTED] <[EMAIL PROTECTED]>
"Find a piano arrangement of the string and continuo parts?" There are lots
of copies of the piano/vocal (most often, Schirmer) score floating around,
since zillions of church choirs and amateur choral groups perform all or part
of
Handel's Messiah this time of year, and lots more people own
When Mozart rearranged Händels The Messiah the art of clarino trumpet playing
had declined. Hence Mozart transferred the trumpet obligato of Sound the
Trumpet to the horn. Funny thing is that the German text is Erschallt die
Posaune (Sound the Trombone), and Mozart should have been able to find
Anyone know of a work for horn and (vocal) bass?
Sherry Baker
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One of my favorite practice books has recently been expanded and
reprinted. It used to be called "1000 Fiddle Tunes" but its new
incarnation is "Ryan's Mammoth Collection 1050 Reels and Jigs". It
makes a great practice book for those who want a dose of Kopprasch-like
exercises that are new an
The piece is not composed with the horn in the foreground, just decent
in the back. And the miking that time when Pears & DB recorded it .
There are several live recordings with DB. I just remember Holland
Festival
-Original Message-
Date: Fri, 05 Dec 2008 19:27:35 +0100
Subject:
It sounds most brilliant in E, but is quite taxiing for the horn. But I
am sure, he would not mind listen to it when in D or C or Eb. But he
would mind, if we would NOT play this wonderful piece.
Greetings
Hans
-Original Message-
Date: Fri, 05 Dec 2008 19:14:27 +0100
Subject: [Hornlist]
I have a recording of Brain and Pears doing Auf dem Strom. I imagine it was
quite a struggle for Brain to play loud enough to match Pears. Pears sounds
like he is trying to ingest the microphone.
LLB
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That's good, Hans, I should have ordered it from you. Do you think Schubert
would mind all these different keys? Why did he pick E? There are supposed
to be certain moods associated with certain keys, but I've never really
believed that when it comes to horn playing.
Dan
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