The composers who lived and worked between the "old" and the "future"
may have had a dilemma during the transition to new notation. I'm
thinking of Johannes Brahms (or perhaps his copyist or publisher). For
example, the second horn part (in D) of the Piano Concerto No. 1. The
first bar is notat
The old composers would have had to mark it "current notation" and "future
notation."
John Baumgart
-Original Message-
From: horn-bounces+john.baumgart=comcast@music.memphis.edu
[mailto:horn-bounces+john.baumgart=comcast@music.memphis.edu] On Behalf
Of Loren Mayhew
Sent: Friday, J
I prefer new notation, but it doesn't really matter which just as long as
there is some way to figure out which you are using. It would have been very
helpful if the old composers had marked their horn parts with either "old
notation" or "new notation."
Loren Mayhew
lo...@mayhews.us
001 (520) 289-
To the Administrator:
It seems like I might have misspelled Valkanier in the email I submitted to you
earlier today.
The correct spelling would be Valkenier. Which means the subject should have
read Valkenier Anecdotes, c/o of Arthur Goldstein and Jack Berv (by way of a
student)
I have correcte
To the Administrator:
It seems like I might have misspelled Valkanier in the email I submitted to you
earlier today.
The correct spelling would be Valkenier. Which means the subject should have
read Valkenier Anecdotes, c/o of Arthur Goldstein and Jack Berv (by way of a
student)
I have correcte
In regards to Peter Hirsch’s post about sourcing info regarding Willem
Valkanier through Arthur Goldstein, I submit the following, which came directly
from Arthur himself in a lesson I had with him almost 30 years ago:
We were working on slurring octaves and Mr. Goldstein tried to make a point
Now, I must be making the informings to you all that what I am always having
the preferentialings of is "Old Notation For Alternate Reading of
Trebleclef" aka O.N.F.A.R.T. because why should any one of us be having the
drudgeries to be making the knowings of two clefs in the first place an
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