While we are on the subject, how in the world did they maintain
intonation playing outside in the cold? Or was it faked?
Carlisle
On Jan 20, 2009, at 2:07 PM, William Gross wrote:
Anyone else disappointed in the John Williams piece? I was hoping for
something scored for violin, cello,
Jerry wrote:
After spending $170 million of ours in order to appear as the second coming of
Abraham Lincoln, I rather expected period instruments.
We tried, my civil war period brass band (using instruments from c.1840-1880
and named after a band that did play for Lincoln) did apply to
Apologies for this double posting.
I recently unearthed a cache of old vinyl and acetate LPs of horn
records and performances, some in which I participated. I would like to
transfer them to my computer, ultimately putting some of the selections
on CDs for my personal use. I vaguely remember
See e-mail sent to Richard V. West [hornfe...@comcast.net] It's a pdf file
on how to accomplish transference to computer.
-Original Message-
From: horn-bounces+bgross=airmail@music.memphis.edu
[mailto:horn-bounces+bgross=airmail@music.memphis.edu] On Behalf Of
Richard V. West
Hi everybody-
Well, I've been composing and playing the horn ever since I was 13 or so, had
some success teaching in college and getting published. Although the horn has
been my main instrument (alas!) all my life, I've hardly ever written anything
for it- don't know why, it just never
Just came across this article in the NY Times.
http://www.nytimes.com/2009/01/23/arts/music/23band.html?emc=eta1
We've been Milli-Vanillied.
BTW, someone remarked on the good intonation from the Marine Band. I agree, but
there was a moment that was pretty scary intonation wise. I think it
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