Just $.02 . . .. but I really do like the 11D horns ... between the yellow
brass and the rose brass, I think thats all personal preference.
On the other hand, I've never been a fan of the 10D horns . . .they arent
very free blowing, and the ones that I've compared to 11D's havent projected as
Hello all, a question for you . . .
I am putting together a list (more of a manual!) of horn literature (etudes and solos)
that every student should know up through the college level. I wondered if anyone had
any favorites, or methods that are obscure or not 'typical'. I would even
apprecia
Thank you so very much for all your help. All that effort is very much
appreciated! Did you find most of these on the Tap music website? (or all of them
for that matter.)
Once again, thank you so much! I will have to find all of these recordings,
I am very curious as to how different perf
In a message dated 10/29/2003 6:17:08 PM Eastern Standard Time, Valkhorn writes:
> My second thing is that I'm now practicing with a tape recorder and
> microphone nearby. I sometimes record my practicing, then play it back to see how I
> can
> become more efficient. I also play it back to list
I have been looking for the same thing myself. I have one recording, but it is not
very representative of the piece (my opinion only).
I have been told that Jamie Sommerville played it at one of the Symposiums, and I have
been trying to contact people through IHS to see if there were recording
Hello,
I would like to pose a question (for everyone). I've been working on low
attacks (loud and staccato, legato and slurred, mezzo forte and staccato, legato
and slurred, etc) and I have found a few shortcomings. Whether it may be my
break, or just not enough work in that area (or both!) I
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