[Hornlist] Re: Horn Digest, Vol 27, Issue 1

For info about The Dalley Horn Catalogue, contact me at [EMAIL PROTECTED] Best regards. [EMAIL PROTECTED] wrote: ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org

[Hornlist] Gallay Opus 34

By deductive reasoning, I believe Opus 34 is Two Morceau de Concert de Donizetti, paroles Francaisses de Charlemaine - Published Schonenberger, Paris 1839. Written for Voice, Horn and Piano. Would be interested in seeing your entire list. The list I included in the Dalley Horn Catalogue - on

[Hornlist] Trios for Flute, Clarinet and Horn.

Consulting the Dalley Horn Catalogue, - on CD, I found 12 original works for Flute, Clarinet and Horn. As Follows: 1. Inwood,M., 7 Bagatelles, pub. Seesaw, New York; 2. Bussotti, Sylvio, Tramonto from Phadria, Pub G. Riccordi. Milan; 3. Rubato, Inngangur, Trio, Manuscript in Icelandic National

[Hornlist] Re: Horn Digest, Vol 23, Issue 15 Aging and playing the horn

I agree with Hans Pizka with regard to aging and (still) playing the horn. Early training is the key. Interestingly enough, that applied also to athletics, and perhaps in an indirect way to everything in life. In my case I practiced 1 1/2 hours a day from the age of 11 onwards. With performance,

[Hornlist] Geyer vs Kruspe wraps.

The significant difference between the two wraps was that the Geyer wrap had wider and more gradual bends in the main tubing. The result was that the F horn side has less resistance than in a Kruspe wrap. That meant the F and B flat horns sounded more alike in quality. Yes, the result of the