Check out my recording of this work (and all of the other of his works for horn
and piano published during his lifetime) at
http://www.public.asu.edu/~jqerics/Les_Adieux.htm
John
+
Dr. John Ericson, horn
Arizona State University
www.hornarticles.com
>message: 8
>dat
ing very soon!
John
+++++++++
Dr. John Ericson, horn
Arizona State University School of Music
http://www.public.asu.edu/~jqerics/articles_online.htm
Website Editor, The IHS Online
http://www.hornsociety.org
___
post: [EMAIL PROTE
, and hope to
have the site up and running again as soon as possible with the new system.
Best,
John Ericson
+
Dr. John Ericson, horn
Arizona State University School of Music
http://www.public.asu.edu/~jqerics/articles_online.htm
Website Editor, The IHS Online
http
eel a need to discuss our differences of musical
interpretation further with respect to this work, please contact me off
list.
Best wishes,
John
++
Dr. John Ericson, Horn
Arizona State University School of Music
http://www.public.asu.edu/~jqerics/
> message:
key thing is you want to
make music, to sell the musical lines. This section does not peak at 77; it
keeps going to bar 81, and needs to aim there musically.
Best wishes with the work,
John
++
Dr. John Ericson, Horn
Arizona State University School of Music
http
o this part has long been known. I have in my Horn
Articles Online site a quotation from 1812 (!) that comments on the problem
of making this passage project and how the newly invented slide horn had
solved this problem. The article is located at:
http://www.public.asu.edu/~jqerics/ke
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When I played in the Nashville Symphony (1991-98) certain players had
special "short" chairs that were worked u
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