The June 2004 issue of the Instrumentalist has an article about stage fright on page
24 that you may find useful for your students or others. The book's title should be:
Stage Fright in Music Performance and Its Relationship to the Unconscious
NOT 'Unconsciousness' as listed in the article altho
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I use this stuff call Binak 495 or Binak Pro for the rotary valves. It is
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SORRY ABOUT THE INCORRECT LONG POST! MY MISTAKE!
- Original Message -
From: "Michael I. Goode" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, May 14, 2004 12:36 PM
Subject: Re: Horn Digest, 10 Dirty Secrets of Classical Music
> I
I love it!
Mike Goode
www.trumpetworkspress.com
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, May 07, 2004 12:00 PM
Subject: Horn Digest, Vol 17, Issue 8
> Send Horn mailing list submissions to
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Go Cabbage!
Mike Goode
www.trumpetworkspress.com
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Cabbage, you are a funny man.
Mike Goode
www.trumpetworkspress.com
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Dear Lawrence,
You are right that there are many degrees of stage fright and even for being "up" for
the performance which are probably best left to the book.
To Prof Pizka,
Thank you for your insight and wisdom from years of high-level playing which we all
appreciate.
Mike Goode
www.trump
Dear Scott,
It is normal to be "Up" for the performance, to have the "jitters." This is the
body's physiological response to the performance situation so that the
player can do a great job. This is not stage fright. Stage fright is when
the player has muscle tremor, "the shakes",. dry mouth,
Dear Cabbage,
You wrote:
>message: 1
>date: Sat, 24 Apr 2004 13:16:46 EDT
.>from: [EMAIL PROTECTED]
>subject: [Hornlist] Stage fright
>Hans P wrote
>Stage fright & stage fright are not always the same.
>**
>I have always made sure that my students
>understand this distinction.
>Gotta
To All,
These are all some very good and interesting comments about stage fright and the book,
Stage Fright in Music Performance and Its Relationship to the Unconscious.
Cabbage-
I am glad that you are not unconscious-it would be hard to play that way!
Seriously, though, some people, (includin
Dear Hans,
Thank you for your interesting comments about stage fright. Horowitz had stage
fright for 35 years then resumed playing. Arnold Jacobs told me of a performer in
the New York Philharmonic that had played wonderfully for 25 years then all of a
sudden couldn't play. Hundreds of gre
To [EMAIL PROTECTED],
The name of the book on stage fright and the mental aspects of playing that Dale has a
copy of is:
Stage Fright in Music Performance and Its Relationship to the Unconscious
For more info see: www.trumpetworkspress.com
If you need the book fast, call 1-800-777-1456 and
Dear Hornplayer members,
If you ever have had trouble with stage fright or the mental aspects of playing,
this book has helped hundreds of brass players already.
See:
www.trumpetworkspress.com
I had terrible stage fright in 1994 and this book was the reason I no longer have it.
Dale Cleven
Does anyone know about horns made by Ronald Pinc?
These were at the Midwest show in Chicago and were a new item.
Mike Goode
www.trumpetworkspress.com
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If anyone is interested, check out the interview I did with the BBC that will be
broadcast Tuesday, starting Tuesday, Februrary 24th 9:30 am. My book will be the
topic and it does talk about mental states of players when they play including those
of Adolph "Bud" Herseth, Arnold Jacobs, and Will
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