have
played the 868 in Brass, the 668V in Nickel and the 668 II. They are all
really good horns but do not measure up, in my opinion, to the original
Custom series (861, 862 and 863).
Respectfully Submitted,
Scott Young
From: "Richard V. West" <[EMAIL PROTECTED]>
Reply-To: T
adjust to
what almost seem to have become a fact of life: Braces.
Respectfully Submitted,
Scott Young
From: Susan Thompson <[EMAIL PROTECTED]>
I second Aleks' suggestion and would suggest other alternatives such as:
Voice lessons
Ballet lessons
Music theory lessons
Aleks Ozol
ncert nearly on time. The
soloist for the evening were the afore-mentioned enthusiast and Dr. Scully
(Bernhard's dad, a concert pianist). Yes, they received a solo bow at the
end.
Respectfully Submitted,
Scott Young
From: "Loren Mayhew" <[EMAIL PROTECTED]>
Reply-To: The
spectfully request
something like this.
Respectfully Submitted,
Scott Young
From: sirgallihad <[EMAIL PROTECTED]>
Reply-To: The Horn List
To: "The Horn List"
Subject: Re: [Hornlist] overseas transport
Date: Fri, 29 Jun 2007 19:37:03 -0400
well, it turns out that because we
Adam,
I do not have much time today, so I jotted some miscellaneous thoughts for
you
1. Blow out ALL your air during the rests and while preparing to perform.
It feels unnatural the first few times you do this on stage, but it makes
you take in 100% fresh air. Fresh air is better then the st
From now on when you play a horn quartet, know that you are
participating
in an ancient holy ritual. Instead of asking, "What shall we play
next?" you can ask, "What shall we sacrifice next?"
{ David Goldberg: [EMAIL PROTECTED] }
{ Math Dept, Washtenaw Community College }
From: "Steve Freides" <[EMAIL PROTECTED]>
why do modern horns use rotor valves and not piston valves? Everything I
have read
suggests that piston valves are superior
Steve,
Modern manufacturing has made this moot, but this was the "old school"
thoughts on the matter:
Piston Valves ar
Steve,
Some studies have demonstrated that wearing a necktie also increases
intraocular pressure. What makes this insidous is not the amount of
presure, but the fact that people wear them for 8 hours at a time. I
imagine it is the same with high pressure wind instruments.
Respectfully Submit
From: "James Ray Crenshaw" <[EMAIL PROTECTED]>
Q1: Why do some horns have a mixture of metals between the body of the
instrument & the slides?
I cannot answer this question, but I have an instrument that fits this
description. My Lewis has a red brass bell and main branch. The mouthpipe,
all sl
Rory,
I once meet a hornist who had tragically lost the fingers on his left hand.
He had an inverted Conn 8D that he played on. My guess is that you can have
just about any horn inverted for the right amount of money.
Respectfully Submitted,
Scott
P.S. Having him in a section took some getting
Carson,
I am a player, not an acoustics person, so let me tell you what I know and what I
guess. Hopefully someone else can clarify it for us. First, what I know: The hand
in the bell depresses the final node of the wave length. This changes many of the
acoustical properties of the entire wa
Carson,
Because of the flare of the horn bell, the last node of the wave length is a few
inches outside of the length of the horn. Placing you hand in the bell intensifies
this effect (in essence, adding the length of your hand to the length of the tube).
When you stop the horn with your hand, y
"to ak for a copy of concerto no. 2."
I'd like too ak for a kopy of concherto #2 nd 3, myself.
Respectfully,
Scott Young
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