ozart next morning.
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Marc Gelfo
Sent: Tuesday, February 27, 2007 8:15 PM
To: horn@music.memphis.edu
Subject: Re: [Hornl
> Richard Strauss knew how to use this note, special in
> Rosenkavalier. He prepared the player to it by the
> preceeding notes or the notes in the other instruments
> (Rosenuebergabe, 2nd act, 3rd horn).
I have only played Rosenkavalier suite, but there is a pretty sadistic 3rd horn
solo starti
Perhaps you too, not just the horn. Beethoven 7th - 11 - 12
- 13 - go (g#-f#-e)
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Joe Scarpelli
Sent: Tuesday, February 27, 2007 1:36 PM
To: 'The Horn List'
Subject: RE: [Hornlist] 2 Octave ju
>>most instable note on any horn, the a-flat
Thank God. I thought it was me. Regards,
Joe
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e computer,
neither musical organic nor practicable - with very few
exceptions.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Wendell Rider
Sent: Tuesday, February 27, 2007 2:17 AM
To: horn@music.memphis.edu
Subject: [Hornlist] 2 Octave jump
On Fe
On Feb 25, 2007, at 10:00 AM, [EMAIL PROTECTED] wrote:
Thore Dosdall dosda009 at morris.umn.edu
asked -
Hello all,
I am working on a piece called Night Watch: A Dialog for Flute,
Horn and
Kettledrums by Ellis Kohs.
The piece has a legato tounged two octive jump between the a-flat
below
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