Pick up notes are not usually extra loud, but must be solid and
substantial as they are the "launching pad" into the melody. A good
book to consider is a work on "Note Grouping" by J. Thurmond.
Consider the opening of the Strauss First Concerto for horn.
Paul Mansur
On Apr 18, 2008, at
> -Original Message-
> From: Herbert Foster [mailto:[EMAIL PROTECTED]
> Sent: Friday, April 18, 2008 12:48 PM
> To: The Horn List
> Subject: Re: [Hornlist] Changing tone color
>
> As well as being a fine teacher, Douglas is a singer, and he
> adds that per
ng on the horn" with these seemingly contradictory
directions?
Herb Foster
- Original Message
From: Douglas Lundeen <[EMAIL PROTECTED]>
To: horn@music.memphis.edu
Sent: Tuesday, April 15, 2008 4:46:58 PM
Subject: [Hornlist] Changing tone color
I was really glad to hear Hans com
I was really glad to hear Hans comment on changing tone color. It IS
extremely rare in modern wind playing in general and brass playing in
particular to hear people talk of changing colors. There are (fewer now
than formerly) different tone-colors out there, but each "school" seems
to be aimi
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