I saw that the John Williams horn concerto was published in a piano reduction
today at a music store!  Looking at it, I don't think I'll program on my
recital anytime soon.  Or anytime for that matter!  There's a reason it's
written for Dale Clevenger.

CHris

--- William Melton <[EMAIL PROTECTED]> wrote:

> 
> > I always thought John Williams in 'E.T.' sounded particularly
> > Viennese, even by Hollywood standard which often reveals
> > its direct inheritance from late-romanticism
> 
> Jun isn't mishearing this.  Still, John Williams is at home in quite  
> a few idioms other than the Korngold/Puccini style of 30s Hollywood  
> (like jazz, echoes of Stravinsky in Star Wars, etc.).  It seems he  
> learned this fluency the only way you can -- close exposure to many  
> styles, and plenty of hard work. His  teachers included pianist  
> Rosina Lhevinne (b. Kiev, concertized throughout Germany and Austria  
> prior to 1914) and composer Mario Castelnuovo-Tedesco (b. Florence),  
> and Williams did film score orchestrations for Franz Waxman (b.  
> Koenigshuette/Oberschlesien) and Dimitri Tiomkin (b. St. Petersburg).
> 
> M. C.-T., Waxman, and Tiomkin all wrote grateful music for horns.   
> Arthur Olaf Andersen (Rhode Island born, but spent study years in  
> Rome and taught in Berlin until 1908), also tutored the young John  
> Williams. Andersen not only wrote a Nocturne for Horn and Piano, but  
> was himself a hornist.  According to Lorenzo Sansone, Andersen also  
> wrote a rather large Horn Method -- in eleven volumes!
> 
> Bill Melton
> Hauset (B) / Sinfonie Orchester Aachen (D)
> 
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