By all means start at the real solo. Many classical concertos for various
instruments often have bits of 'warm up' or even doubled section parts
before the formal thematic solo statements. The 4th Concerto of Mozart's has
quite a bit of that stuff at the opening, but it would be a bit tedious to
li
Hi list,
When one is asked to play the exposition of Mozart 4 in an audition situation,
do you start with the first "real" solo phrase (D-Bb-Eb, etc) or the whole
notes that begin what I think is actually the exposition (Bb-D-F, etc).
Thanks!
Steve
_
A double post to congratulate Sam Compton, Principal hornist of the Memphis
Symphony Orchestra, on his scintillating performance of Mozart's 4th Horn
Concerto last night (Friday). It was the highlight of a well-done all
Mozart chamber concert by the orchestra. Sam's rendition was musical and
wort
3 matches
Mail list logo
