--- Jerry J <[EMAIL PROTECTED]> wrote:
> > date: Wed, 24 May 2006 07:17:50 -0500
> > from: "Bill Gross" <[EMAIL PROTECTED]>
> >
> > I'm surprised no one yet has mentioned the
> performance say of the
> > Grieg
> > Piano Concerto as performed at the Hoffnung
> Festival back in the
> > late 1950
date: Wed, 24 May 2006 07:17:50 -0500
from: "Bill Gross" <[EMAIL PROTECTED]>
I'm surprised no one yet has mentioned the performance say of the
Grieg
Piano Concerto as performed at the Hoffnung Festival back in the
late 1950s.
I listened to that so many times that now I expcet it to go that
er, or hang separate".
-Original Message-
From: Dan Malloy Jr <[EMAIL PROTECTED]>
To: The Horn List
Sent: Wed, 24 May 2006 08:46:34 -0500
Subject: Re: [Hornlist] Orchestra Pranks
A couple of years ago, our section played the opening to the Tchaik
piano concerto...in E. We only made i
e cue. Oboist slowly shook his head and pointed at
the first flute.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Jonathan West
Sent: Wednesday, May 24, 2006 5:01 AM
To: The Horn List
Subject: RE: [Hornlist] Orchestra Pranks
[. . .]
Then on a different
A couple of years ago, our section played the opening to the Tchaik
piano concerto...in E. We only made it to the first orchestral chord
because it was completely unexpected, even knowing it was coming up,
that we lost it along with the rest of the orchestra. The look on
the conductor's f
hter.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Bill Gross
Sent: Wednesday, May 24, 2006 1:18 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Orchestra Pranks
I'm surprised no one yet has mentioned the performance say
of the Grie
My personal favorite is to play the famous "hunting call"
entrance of the William Tell overture in F rather than E
Of course, you have to get the trumpets to go along, but it is an
amazing sound.
Margaret F. Dikel
Horn / Librarian / Webmaster
JCC Symphony Orchestra
11218 Ashley Drive
Rockv
I'm surprised no one yet has mentioned the performance say of the Grieg
Piano Concerto as performed at the Hoffnung Festival back in the late 1950s.
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I've known the bassoons, when playing their low notes at the start of the
12/8 section in the last movement of Beethoven 9 to break out into the tune
from the Sorcerors Apprentice.
There is also the trick in Sibelius 1 for the clarinet to play the opening
solo on the wrong instrument and watch the
The theme in the last movement of Brahms 1 (in the strings after the alpine
horn section) is tonally the closest thing I could think of - and wouldn't be
noticeable until the 6th note.
Plus I hear Mahler 3 is closely related to Brahms 1.
-William
I'm guessing the unison horn line from Shosta. 5th, 1st mvmt, but of course,
that is not "classical" if you are talking about the period.
Fred
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Tuesday, May 23, 2006 5:45 PM
Subject: [Hornlist] Orchestr
Hornfolks:
Our next planned prank is for the opening of Mahler 3 (the horns of course)
replaced by a very familiar classical theme done during the dress rehearsal.
Can anyone here guess what it is? Shoot me a private mail if you do.
We did it once about 7 years ago and the conductor almos
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