er gets anywhere but
just a gruff ol' C who tries really hard but
a bit of a C*** really (err, oops, sorry!)
C - hris W
- Original Message -
From: "Scott Hartman" <[EMAIL PROTECTED]>
To: "The Horn List"
Subject: [Hornlist] RE: Notation
Date: Tue, 18 Jan
Scott Hartman wrote: " I hate to throw in other languages, but I have
friends from Bush country (Jeb AND W) and this is what they call them:
Really High C, High C in the staff" etc.
Well, I am happy to throw in other laguages:
middle c is: C sol fa ut (Cesolfaut)
below that is C fa ut (Cefa
Hiya,
I hate to throw in other languages, but I have friends from Bush
country (Jeb AND W) and this is what they call them:
Really High C
High C in the staff
Easy C but wobbles if ya been eatin pretzels
That C down there
That C way down there
Without scholarly use, but my friends from New York u
Don't you love language? OK, next argument: Fixed "DO" or movable "DO" ?
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED]
Sent: Tuesday, January 11, 2005 12:32 PM
To: horn@music.memphis.edu
Subject: [Hornli
Steve F wrote
Acoustics" by Arthur H. Benade, and he makes it very clear that the term
"partial" is used for any "part" of the sound produced, including the
fundamental. It's a necessary way of looking at things because not all
sound coming from the same source are necessarily musically related,
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