s getting
damned annoying.
--
message: 9
date: Mon, 14 May 2007 23:10:47 -0400
from: [EMAIL PROTECTED]
subject: [Hornlist] RE: getting edgy
While we're on the subject of sound, what's the deal with all the
edge? I hear so many players these days who put edge into just about
e
ot work here ?
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of David Goldberg
Sent: Tuesday, May 15, 2007 5:38 PM
To: The Horn List
Subject: [Hornlist] Re: getting edgy - now getting NHR
Unfortunately, Hans' approach to unruly students doe
Unfortunately, Hans' approach to unruly students does not necessarily
work. Speaking as an ex-high school teacher, now a community college
instructor, I have dealt with many levels of disruption. There are
categories of disruptors - from unconsciously or minimally, as in
whispering to the nex
ED]
Sent: Tuesday, May 15, 2007 4:11 AM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: getting edgy
While we're on the subject of sound, what's the deal
with all the edge? I hear so many players these days who
put edge into just about everything. I never imagined
Mozart concertos with
While we're on the subject of sound, what's the deal with all the edge? I
hear so many players these days who put edge into just about everything. I
never imagined Mozart concertos with a harsh sound full of edge and, should
every orchestral solo be played forte with edge no matter if it's
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