Re: [Hornlist] Re; Mahler 1 , c/o Hans Pizka, and performance practice.

2005-08-27 Thread Ellen Manthe
knowing NOTHING about it. Truth. Greetings from Bangkok Hans --- Ursprüngliche Nachricht --- Von: Ellen Manthe [EMAIL PROTECTED] An: The Horn List horn@music.memphis.edu Betreff: Re: [Hornlist] Re; Mahler 1 , c/o Hans Pizka, and performance practice

[Hornlist] Re; Mahler 1 , c/o Hans Pizka, and performance practice.

2005-08-26 Thread matthew scheffelman
Hans you must write a book on musicianship and horn playing. Your words are spot on perfect and true for the future horn players of the world. What seems to be happening in the USA is more and more players are becoming PhD's of music rather than amazing performers and musicians in Horn. This

RE: [Hornlist] Re; Mahler 1 , c/o Hans Pizka, and performance practice.

2005-08-26 Thread Joe Scarpelli
] On Behalf Of matthew scheffelman Sent: Friday, August 26, 2005 3:15 AM To: horn@music.memphis.edu Subject: [Hornlist] Re; Mahler 1 , c/o Hans Pizka, and performance practice. Hans you must write a book on musicianship and horn playing. Your words are spot on perfect and true for the future horn

Re: [Hornlist] Re; Mahler 1 , c/o Hans Pizka, and performance practice.

2005-08-26 Thread Ellen Manthe
I must interject a comment on this post. It is very difficult to earn a DMA in applied music. Not only must a student earn a B level or higher in many hours of musicology, theory, technology, and ethnomusicological classes, but one must first EARN admission to the program in the first place by