At 11:52 AM 10/29/2004, you wrote:
>
> So interestingly enough, it works out with double flats. So, if they
> theoretically exist, I wonder if there's any music out there that uses
> those key
> signatures...
>
The 4th Quintet of Ewald has, in the 3rd movement, I believe, 8 flats in
the key signatu
For a tempered-scale instrument, that's quite true. But only for one of
those.
From: "Alan Cole" <[EMAIL PROTECTED]>
Subject: Re: [Hornlist] Re: Horn Digest, Vol 22, Issue 32
OK, folks, check out your piano & organ & synthetizer keyboards & count up
the black
On Friday, October 29, 2004, at 11:52 AM, [EMAIL PROTECTED] wrote:
So interestingly enough, it works out with double flats. So, if they
theoretically exist, I wonder if there's any music out there that uses
those key
signatures...
I think I have run into some of these theoretical keys in actual
OK, folks, check out your piano & organ & synthetizer keyboards & count up
the black keys from C to shining C -- those are the actual flats &
sharps. It won't hurt to regard any beyond those as theoretical.
As for the ones that aren't there, the double-sharps & double-flats &
double-naturals,
>
> So interestingly enough, it works out with double flats. So, if they
> theoretically exist, I wonder if there's any music out there that uses
> those key
> signatures...
>
The 4th Quintet of Ewald has, in the 3rd movement, I believe, 8 flats in
the key signature, there being a Bbb written in t
5 matches
Mail list logo