Re: [Hornlist] Re: Horn Digest, Vol 22, Issue 32

2004-10-29 Thread Margaret Dikel
At 11:52 AM 10/29/2004, you wrote: > > So interestingly enough, it works out with double flats. So, if they > theoretically exist, I wonder if there's any music out there that uses > those key > signatures... > The 4th Quintet of Ewald has, in the 3rd movement, I believe, 8 flats in the key signatu

Re: [Hornlist] Re: Horn Digest, Vol 22, Issue 32

2004-10-29 Thread Jerry Houston
For a tempered-scale instrument, that's quite true. But only for one of those. From: "Alan Cole" <[EMAIL PROTECTED]> Subject: Re: [Hornlist] Re: Horn Digest, Vol 22, Issue 32 OK, folks, check out your piano & organ & synthetizer keyboards & count up the black

Re: [Hornlist] Re: Horn Digest, Vol 22, Issue 32

2004-10-29 Thread Paul Mansur
On Friday, October 29, 2004, at 11:52 AM, [EMAIL PROTECTED] wrote: So interestingly enough, it works out with double flats. So, if they theoretically exist, I wonder if there's any music out there that uses those key signatures... I think I have run into some of these theoretical keys in actual

Re: [Hornlist] Re: Horn Digest, Vol 22, Issue 32

2004-10-29 Thread Alan Cole
OK, folks, check out your piano & organ & synthetizer keyboards & count up the black keys from C to shining C -- those are the actual flats & sharps. It won't hurt to regard any beyond those as theoretical. As for the ones that aren't there, the double-sharps & double-flats & double-naturals,

[Hornlist] Re: Horn Digest, Vol 22, Issue 32

2004-10-29 Thread mlist
> > So interestingly enough, it works out with double flats. So, if they > theoretically exist, I wonder if there's any music out there that uses > those key > signatures... > The 4th Quintet of Ewald has, in the 3rd movement, I believe, 8 flats in the key signature, there being a Bbb written in t