Sorry, Alon, what kind of mouthpiece do you use ? And for the real concert stueck player there is no need for a descant as he or she has the power to go up to high e3 in any dynamic. If the mouthjpiece has a thin bore, no way for concert stueck. If you practise it most on the high F side, no way to get through, at least not with full tone. If you practise it on the old single F, you might miss the very high perhaps, but get through the piece. But consider, it hurts anyway. ============================================================ ===========
-----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Alon reuven Sent: Monday, October 23, 2006 9:29 AM To: horn@music.memphis.edu Subject: [Hornlist] Blasting high , coming out of the closet.. Hans , I know that playing concetrated and controled sound is the thing to do in Bach and Haydn - thats what I said at the first place ... The thing is that I want to perform the Concertstuck sometime . I did perform as a soloist for quite a few times , but this piece is really something . I do work the movements from the end backwords , but I ca'nt play it forte or fortissimo . Near this piece , the Adagio & allegro seem to be a piece of cake . Alon _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka. de _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
