On Feb 8, 2008, at 7:10 PM, Mark Syslo wrote:
Open or 1 on 4th-line D?
Open, of course, as everyone else has pointed out.
I was switched to horn from trumpet in middle school. I was
essentially handed the horn and, I suppose, a fingering chart, and
compliant kid that I was, I dutifully
At 5:08 PM -0600 2/9/08, Bill Gross wrote:
Now for an example from Solfeggio from one of the classic groups of the
early 1960s, visit http://www.youtube.com/watch?v=5Uw03hS_EMY
Interesting their first four words - do, mi, fa,
do. Good for a baseball player - 750. I heard sol
instead of fa. C
Hans, as he usually does, hit the nail squarely on the head. Knowing what
the note is supposed to sound like is the first step, fingering come second.
"Solfeggio" is one way to get there.
Now for an example from Solfeggio from one of the classic groups of the
early 1960s, visit http://www.you
My 1 cent (Amateurs shouldn't get 2 cents).
As I got older I realized the less I have to change fingering the less I had
to worry about "lip to fingers co-ordination"
Joe
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Mark Syslo
Sent: Saturday, Februa
And, Mark, finally my addition:
Using F-Horn
C-D-E - open
B-(natural)- C# - D# - with 2 AND not with 12 (C#) or 23
(D#).
It does not matter, what fingering you teach your young band
members, if they do not HEAR the right pitch, - if their ear
training is inadequate. Pressing down the rig
In addition to what has already been posted, you can also play the Bb
with open fingerings (a slight bit flat) giving you 4 notes in a row
open. Though I wouldn't offer that fingering in normal circumstances,
many newer students will hit that Bb when trying for the C and think
they have the rig
It's really pretty simple. The D is better on 0. When using 1 you
are playing a tenth harmonic which is flat. The E on 0 is also a
tenth harmonic and tends to be flat but is a better in tune note than
is the D with 1. It can be brought up with 1-2 on the F horn. This
is where practice
In addition to what everyone else has said, third-space C, which is concert
F, can also be played as 1 on an F horn as it's the 9th partial. It might
actually be easier to play C-D as 1-open so that you got a shorter tube for
the higher note - I just tried it, though, and it feels weird.
Open-open
-Original Message-
From: Mark Syslo [mailto:[EMAIL PROTECTED]
Sent: Friday, February 08, 2008 7:10 PM
To: horn@music.memphis.edu
Subject: [Hornlist] F horn fingerings
I am a band director at two elementary schools in PA. The band method
book we use teaches 4th-line D as open (no valves
It doesn't matter if you teach that three notes in a row don't have the same
fingering. The reality is that they do, and that putting down the first
valve to go from C to D doesn't really help getting the note to come out
right any more than not putting the first value down. Actually, since
you'r
In a message dated 09/02/2008 00:11:46 GMT Standard Time,
[EMAIL PROTECTED] writes:
Open or 1 on 4th-line D?
Open
lawrenceyates.co.uk
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