t should not be played on a nat, albeit, I quite like the nat sound. But I
thought I would add my 2 pence (sterling) as it is a performance issue to be
taken notice of.
> Date: Mon, 23 Oct 2006 11:45:04 -0400> From: [EMAIL PROTECTED]> To:
> horn@music.memphis.edu> Subject: Re
Are you playing Prologue & Epilogue on a natural horn ? If
so, leave your regular horn on stage when you leave before
the last movement and start the epilogue after the prelast
movement immideately, just continue it. Off stage does not
mean you should be invisible then. Could be from the
backside o
When I did the Britten many years ago, the tenor gave a brief history of
the piece. He explained that the opening was played on the natural
horn, and that the last short movement was a repeat of the opening and
was played off stage by the horn player.
That explained the "un-in-tune" notes and
Announce before the piece starts - say what you said below. Then expect
that someone will mess up and clap, anyway, but at least it won't be the
entire room.
-S-
> -Original Message-
> From:
> [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> du] On Behalf Of Anna Henry
> Sent: Monday,
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