List'
Subject: RE: [Hornlist] Re: Recording (NHR)
Just back from the subvault under Jack Benny's the recoding I have is a 10
LP. The jacket has no indication of who released it. There is a note that
reads, Copies of this record are available at many record stores, or, at
$3.95 each plus 50 cents
07, 2009 9:32 PM
To: The Horn List
Subject: RE: [Hornlist] Re: Recording (NHR)
I don't recall Boulder, Boulder. but I think it's possible that he made
another recording at a later date. The recording I made was in 1953. The 10
LP (remember those? Only if you're really old!) has the TransRadio
@music.memphis.edu
Sent: Friday, August 7, 2009 10:32:07 PM
Subject: RE: [Hornlist] Re: Recording (NHR)
I don't recall Boulder, Boulder. but I think it's possible that he made
another recording at a later date. The recording I made was in 1953. The 10 LP
(remember those? Only if you're really old
Foster
Sent: Saturday, August 08, 2009 7:35 AM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording (NHR)
Since my interest is more technical, the first Google hit I got was
wackypedia:
http://en.wikipedia.org/wiki/Nikolai_Lobachevsky
He was a famous mathematician.
I am impressed that you were
...@gmail.com
To: The Horn List horn@music.memphis.edu
Sent: Saturday, August 8, 2009 8:17:49 AM
Subject: RE: [Hornlist] Re: Recording (NHR)
Just back from the subvault under Jack Benny's the recoding I have is a 10
LP. The jacket has no indication of who released it. There is a note that
reads
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner (the ol' drug dealer...). It was
the 10 LP. As I remember, the cover was mostly red, with a scratchy pen
and ink drawing of someone I took to be Tom Lehrer, adorned with devil's
horns and
That's the cover I eas looking at this morning.
On Aug 8, 2009, at 10:39 AM, Richard V. West hornfe...@comcast.net
wrote:
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner (the ol' drug dealer...). It
was the 10 LP. As I remember,
AM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording (NHR)
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner (the ol' drug dealer...). It was
the 10 LP. As I remember, the cover was mostly red, with a scratchy pen
and ink drawing
Ahhh, this discussion brings me back to my freshman year of university.
On keyboard/ sight singing days, our theory teacher would play Who's Next
between victims. (She was a great teacher - the reasons I switched from a
biology major - with a music minor - to a major in music theory. Thanks Mrs.
I could be wrong, but as noted earlier my amplifier is Tango Uniform so I
can't play the LP.
The mighty, mighty, bolder, bolder, shtick wasn't part of a song. It was
the patter between songs.
-Original Message-
From: horn-bounces+bgross=airmail@music.memphis.edu
Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
Lehrer was the MAN! I hold your hand in mine dear, though you are far
away Ah, the beauty of it all.
Richard in Seattle
Glick, Ed wrote:
Incidentally, although I'm sure you're younger than I am (83 - me, not you),
, August 07, 2009 5:21 PM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording
Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
Lehrer was the MAN! I hold your hand in mine dear, though you are far
away Ah, the beauty of it all.
Richard in Seattle
Glick, Ed wrote
] On Behalf Of
Richard V. West
Sent: Friday, August 07, 2009 5:21 PM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording
Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
Lehrer was the MAN! I hold your hand in mine dear, though you are far
away Ah, the beauty
=unt@music.memphis.edu
[mailto:horn-bounces+glick=unt@music.memphis.edu] On Behalf Of Bill Gross
Sent: Friday, August 07, 2009 5:32 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Re: Recording
Me too, I still have the copy my father bought. I can't remember the lead
it, but side one ends
I remember using a 350, either at TransRadio in Boston, but more probably later
than that. I can't remember what it looked like. Did it resemble a 300? (Do you
have a photo of one?)
I remember that, possibly when I was at the University of Florida (1959-61)
that Ampex came out with a suitcase
Subject: RE: [Hornlist] Re: Recording
From: Glick, Ed gl...@unt.edu
Date: Mon, August 03, 2009 11:52 am
To: The Horn List horn@music.memphis.edu
Incidentally, although I'm sure you're younger than I am (83 - me, not
you), but you may be of the generation that heard (or heard of) the
recording
I went to your website and saw the picture of the Ampex 200 at the top. I know
that the newer recorder we had with 15/7.5 speeds) was a 300. I'm wondering if
the earlier one (30/15 ips) was a 200. It's been a long time (since 1951) but I
remembered that both recorders looked alike. The only
Howard,
Your statement . . . try lugging around 150 lbs. of Ampex . . . brought back
memories. From 1951-53, I worked for one of the two major recording studios in
Boston. At that time we were the only one with Ampex recorders. The company
bought the first of them before I started working
Sadly, with time, the weight requirements haven't gone down...
If I drag my standard digital multitrack rig on location, I'm
typically pulling around 600-800 lbs of gear. If I drag out a
console, add a couple hundred lbs.
Oh, and that Telefunken that you used to use would fetch a pretty
I own a H2 and love it, I have recorded many concerts, as well as audition
tapes, practice and have used it for elctroacoustic composing for gathering
sound sources. I find it very user friendly and provides DVD quality audio if
desired, or can record in various compressed (mp3) bit rates. A
Now that's a video game that I'd gladly waste time playing!
Kendall, will the Good Professor market it on late night TV and sell it for
$19.95 plus shipping and handling? If one orders quickly, will they get the
Mellophone Marching Band version as an added bonus? I can see gold in them thar
lewho...@yahoo.com wrote:
Now that's a video game that I'd gladly waste time playing!
Kendall, will the Good Professor market it on late night TV and sell
it for $19.95 plus shipping and handling? If one orders quickly, will
they get the Mellophone Marching Band version as an added bonus? I
can
Greg replied:
Now don't get ahead of yourself. You'll have to wait another year for
French Horn Hero 2: Hottest Mellophone Party just like everyone else.
is that like the Girls gone wild videos? I sure hope so! Boy, oh boy! Topless
female Mellophone players marching and playing the Long Call
Hello Peter, you are mixing things up indeed. R.Strauss
wrote a piece Introduction, Thema Var. Op.17 at age 14
(1878) but it has nothing to do with this op.13 by Franz
Strauss. It exists with orchestral accompaniment as does his
original fantasy op.6 other pieces, I discovered two
pieces for two
On Jul 31, 2006, at 10:32 PM, Linda wrote:
Please, please, please don't rely on Google to find out information
about recording orchestras and horns... There is so MUCH bad
information
floating around on the net, it's hard to sort out the good from the
band
and the ugly!
I loved this
the addicting habit of recording!
Jeremy
message: 6
date: Sat, 29 Jul 2006 18:52:08 -0400
from: Steve Freides [EMAIL PROTECTED]
subject: RE: [Hornlist] Re: Recording
Linda wrote:
-Original Message-
On Behalf Of Donald J. Ankney
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Donald J. Ankney
Sent: Saturday, July 22, 2006 13:31
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
snip
...That being said, you also
Linda wrote:
-Original Message-
On Behalf Of Donald J. Ankney
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
snip
...That being said, you also have to invest in serious mics
and especially mic pre-amps to capture that signal.
snip
In the light of the recent
= Original Message From The Horn List horn@music.memphis.edu =
[snip]
In fact I did remember, from older posts, about that Sharp/Sony
difference, and asked the shop: but they told me that the Sharp was
out of production (maybe they just didn't have it).
They are out of production, AFAIK.
At 07:49 PM 7/17/06 +0200, Daniel Canarutto wrote:
In fact I did remember, from older posts, about that Sharp/Sony
difference, and asked the shop: but they told me that the Sharp was
out of production (maybe they just didn't have it).
I believe this is correct. Sharp has gotten out of MD
I don't recall that short coming on my Sony Mini disc, but mine is so
old, one of the very first and much bigger, I've been told they they
only made a few of them and that it is more of a prototype. I use a
fairly good stereo condenser mic mounted on a golf ball retriever that
lets me stick
Perhaps the confusion is regarding the American (English?) idiom -
not on the same page
In this instance I think that Steve meant that the musicians have minor
differences about phrasing, interpretation, etc. - not that the musicians
have big differences, or lack of ability.
Listening to a
Sorry, Jay, I understood it right that way. As a pro I must be more sensitive than
others anyway. If there were big differences, they could never for an ensemble, but I
have seen so many individualists recently even in big orchestras, that I began to
doubt, if they really understood ensemble
Sorry, Steve, my bloodpressure is lower than most expect, otherwise I could not do
Siegfried etc. And I am not yelling, as you suppose, when I say something absolutely
true. I just wonder about the very curious advise often given by people who have
zero ideas about real professional horn
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