Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of
> Prof.Hans Pizka
> Sent: Thursday, July 31, 2003 1:09 PM
> To: The Horn List
> Subject: Re: AW: [Hornlist] How to adjust the slides?
>
> SCott, if you were in a professional orchestra, yo
ayhew
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-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Prof.Hans Pizka
Sent: Thursday, July 31, 2003 1:09 PM
To: The Horn List
Subject: Re: AW: [Hornlist] How to adjust the slides?
SCott, if you were in a professional orchestra
Too bad horns aren't "tuned at the factory" like the
trombone owned by the fellow who sits next to me in our
orchestra!
Fred
- Original Message Follows -
> SCott, if you were in a professional orchestra, you would
> adjust your horn according to the given "a2 of the oboe.
> It is nonsens
SCott, if you were in a professional orchestra, you would adjust your horn according
to the given "a2 of the oboe. It is nonsense to play the same note on the horn. One
must tune the horn with an interval. So the best note (a note which is good on both
sides of most horns) should be the concert
I'm about to upload scans of the Lawson recommended tuning procedure for double
horns to our file space.
Chris
--- Scott_Bacon_Dürkhorns <[EMAIL PROTECTED]> wrote:
> Not all horns fall under the same tuning slide suggestion. Every different
> horn design, be it a Kruspe, Geyer, Knopf, D3/103, Sch
In a message dated 7/31/2003 9:38:39 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
> Fine tuning the horn is for people with advanced inner ears and a highly
> developed skill of locating the "sweat spots" for the notes on a horn.
Hi Scott,
I'll remember this as I play "Joseph . Dream
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