Loving Friends,

Just wanted to 4ward a mail one of my friends sent me
from the states. 
Well I did feel it work in me and i hope it would in u
and 4 u. Its bit long, eh? 

DO Read on.


* The Master Violinist *


On Nov.  18, 1995, Itzhak Perlman, the violinist, came
on stage to give 
a
concert at Avery Fisher Hall at Lincoln Center in New
York City.  If 
you
have
ever been to a Perlman concert, you know that getting
on stage is no 
small
achievement for him.  He was stricken with polio as a
child, and so he 
has
braces on both legs and walks with the aid of two
crutches.
To see him walk across the stage one step at a time,
painfully and 
slowly,
is
an unforgettable sight.  He walks painfully, yet
majestically, until he
reaches his chair.  Then he sits down, slowly, puts
his crutches on the
floor, undoes the clasps on his legs, tucks one foot
back and extends 
the
other foot forward.  Then he bends down and picks up
the violin, puts 
it
under his chin, nods to the conductor and proceeds to
play.
By now, the audience is used to this ritual.  They sit
quietly while he
makes
his way across the stage to his chair.  They remain
reverently silent 
while
he undoes the clasps on his legs.  They wait until he
is ready to play.
But this time, something went wrong.  Just as he
finished the first few
bars,
one of the strings on his violin broke.  You could
hear it snap - it 
went
off
like gunfire across the room.  There was no mistaking
what that sound 
meant.
There was no mistaking what he had to do.  People who
were there that 
night
thought to themselves:
"We figured that he would have to get up, put on the
clasps again, pick 
up
the crutches and limp his way off stage - to either
find another violin 
or
else find another string for this one."
But he didn't.  Instead, he waited a moment, closed
his eyes and then
signaled the conductor to begin again.  The orchestra
began, and he 
played
from where he had left off.  And he played with such
passion and such 
power
and such purity as they had never heard before.
Of course, anyone knows that it is impossible to play
a symphonic work 
with
just three strings.  I know that, and you know that,
but that night 
Itzhak
Perlman refused to know that.  You could see him
modulating, changing,
recomposing the piece in his head.  At one point, it
sounded like he 
was
de-tuning the strings to get new sounds from them that
they had never 
made
before.
When he finished, there was an awesome silence in the
room.  And then 
people
rose and cheered.  There was an extraordinary outburst
of applause from
every
corner of the auditorium.  We were all on our feet,
screaming and 
cheering,
doing everything we could to show how much we
appreciated what he had 
done.
He smiled, wiped the sweat from this brow, raised his
bow to quiet us, 
and
then he said, not boastfully, but in a quiet, pensive,
reverent tone, 
"You
know, sometimes it is the artist's task to find out
how much music you 
can
still make with what you have left."
What a powerful line that is.  It has stayed in my
mind ever since I 
heard
it.  And who knows?  Perhaps that is the way of life -
not just for 
artists,
but for all of us.
Here is a man who has prepared all his life to make
music on a violin 
of
four
strings, who, all of a sudden, in the middle of a
concert, finds 
himself
with
only three strings.  So he makes music with three
strings, and the 
music he
made that night with just three strings was more
beautiful, more 
sacred,
more
memorable, than any that he had ever made before, when
he had four 
strings.
So, perhaps our task in this shaky, fast-changing,
bewildering world in
which
we live is to make music, at first with all that we
have, and then, 
when
that
is no longer possible, to make music with what we have
left.


Let us use even the little we feel we have, then Jesus
Will surely do HIS part.

Love and Prayers.

Jesus Bless

Betty Jose

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