It was several days before I returned to Arachne, so I thought people 
had already said everything there was to say about the convention but 
that's apparently not true.  So this is my view of the event.  Bottom 
line, it was a great convention!

The "Tatting Olympics" were hilarious.  I'm not much of a tatter, but 
decided to enter anyway.  We gathered on the second floor at the top of 
the staircase, arranged by state (alphabetically).  I got to carry 
the "California" banner (okay, it was an 8.5" x 11" piece of paper with 
the state printed on it) while we trooped down the stairs, across the 
lobby, through the vendor room and back to the lobby to our seats--to 
the Olympic March played on a boombox.  Then Debbie Beaver ran the same 
route, brandishing a huge shuttle like the Olympic flame, finally 
placing it in a glass vase at the awards table.  Yes there were awards--
gold disks on red, white, and blue ribbons that were draped around the 
necks of the winners!  In addition to the "usual" sorts of events 
(longest/shortest time tatting, taught the most people to tat) and 
events (most repeats of a simple pattern), there was a relay race 
(person #1 starts, hands off to #2 after 2 minutes, who hands off to #3 
after another 2 
minutes), "Synchronized Tatting" (one person holds the ring while the 
other moves the shuttle), and the triathlon (assemble a "shuttle" from 
pieces of toys, wind the shuttle, tat with it).  To give an idea of 
what it was like, the synchronized tatting winner got 8 stitches done!  
Most of us laughed till we hurt.  

The vendor room was heaven and hell--the former because there were so 
many wonderful things to see and buy, the latter because it took no 
time at all to empty my purse and there was still so much I wanted to 
get.  Happens every time!  There were 20-25 vendors there from North 
America and Europe.

As others have said, there were several tasty meals provided, with a 
great assortment of favors at each one.  There were also a bunch of 
general raffle items offered at each meal (a general pot of tickets), a 
series of "special" raffles (put your ticket only into the pot of the 
item you want to try for), and a single-ticket raffle at the general 
meeting.  My thanks to all the generous people and groups who 
contributed things for us!

I took three classes:  copper wire BL flowers, tatted beaded bag, and 
Ecuadorean knotted fringe.  I've wanted to try wire BL for a while but 
wasn't willing to just jump in, so I had a great time in the wire 
class.  We laughed and joked a lot, and got "smiley face" stickers for 
helpful hints and funny statements.  The tatting class was to try to 
finally become a tatter or prove to myself it was hopeless.  I'm afraid 
it's the latter, no fault of the teacher.  She did help me learn stuff, 
but it was still a lot more work than fun, for a poor-quality product.  
BL is so much easier and more fun than tatting, I'll stay with it.  On 
Saturday I learned about the intricate patterns knotted into the ikat 
shawls made in southern Ecuador.  They use a single kind of knot but 
create neat patterns of birds, cats, flowers, and geometrics.  I'm 
always looking for new things to learn, and this was inspiring--I want 
to try to figure out some of the fancier designs now that I've learned 
the bas
ics!

Instead of the usual Wednesday field trips, there were a series of 
lectures and demonstrations to attend--everything from a slide show on 
lace in paintings, to telling machine from hand-made lace, to a 
presentation about the IOLI certification program.  This was a very 
interesting alternative to consider for future conventions.  The 
teachers' showcase was a great event again, although I wish it was on 
Sunday night before classes start.

The lace challenge was a hard one.  I couldn't think of anything to do 
for "Lace in the Sky", but about a dozen creative people did.  The 
first prize went to (Bart Elwell's?) Irish crochet interpretation of 
Van Gogh's "Starry Night".  I think second was for a lovely yellow 
tatted sun (don't remember the lacemaker's name).  Third was Carolyn 
Regnier's tatted snowflakes hung from a descending spiral.  I don't 
know who won the popular vote, but I was torn between the color-BL 
version of "Starry Night" (great minds think alike?) and the picture of 
a lightning-flash over a city done in metallic threads.  There was also 
a kite in BL and a lovely needle lace blooming sprig of eucalyptus 
against the sky.  One very innovative piece was, unfortunately, 
disqualified because it was sealed inside a plexiglass box (against the 
rules).  It was 3 hot air balloons floating over a "patchwork" 
countryside, all in bobbin lace.  Please, if you enter a lace challenge 
(or a state fair, or any othe
r contest), be very careful to obey the rules!  It's a terrible shame 
if a beautiful work gets disqualified for a technicality.

I came home exhausted (staying up too late and getting up too early) 
and broke (too many cool lace toys from the vendor room), but very, 
very satisfied.  Thank you, Oklahoma guild--I still think you were 
crazy to volunteer to do that again after so few years, but you did a 
great job both times!

Robin P. 
Los Angeles, California, USA 
(formerly Pittsburgh, Pennsylvania) 
[EMAIL PROTECTED]

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