The length of text going into the NR needs to be
constrained. It is already too long.
https://codereview.appspot.com/11328043/diff/1/Documentation/notation/simultaneous.itely
File Documentation/notation/simultaneous.itely (right):
- Original Message -
From: Eluze elu...@gmail.com
To: lilypond-devel@gnu.org
Sent: Monday, July 15, 2013 11:14 PM
Subject: Re: Strange cautionary
Phil Holmes wrote
What's the cautionary on the 3rd beat of the second bar doing there?
isn't that what piano-cautionary asks for?
from
See the attached image. Why do the pedal on/off markings line up on
consecutive notes, but not with a note between? Gould says they should line
up.
\relative c {
\clef bass
c,4 \sustainOn c' \sustainOff c c
c,4 \sustainOn c' c \sustainOff c
c,1 \sustainOn c'4 \sustainOff c c c
c,1
- Original Message -
From: Eluze elu...@gmail.com
To: lilypond-devel@gnu.org
Sent: Monday, July 15, 2013 11:14 PM
Subject: Re: Strange cautionary
Phil Holmes wrote
What's the cautionary on the 3rd beat of the second bar doing there?
after reading all this I feel the current
There is no option in lilypond where I can choose the octave note, so for
example middle C is C4 on the piano, this type of control would be very
useful because it gives much more control to the musician. It would be
easier to just choose the note directly by their octave number. Please email
me
Andres Orellana andyore...@gmail.com writes:
There is no option in lilypond where I can choose the octave note, so for
example middle C is C4 on the piano, this type of control would be very
useful because it gives much more control to the musician. It would be
easier to just choose the note
