On Thu, 29 Jul 2004 10:19:41 +0200, Mats Bengtsson
<[EMAIL PROTECTED]> wrote:
Two other annoyances (and in my mind they're UI blunders ...).
Practically every piece of music I've played that has letter rehearsal
marks DOES use the letter I. It's fine to have a default that doesn't,
you hav
Two other annoyances (and in my mind they're UI blunders ...).
Practically every piece of music I've played that has letter rehearsal
marks DOES use the letter I. It's fine to have a default that doesn't,
you have a point there. The first part I checked this in (old B&H)
does have the letter I
[EMAIL PROTECTED] wrote:
> [EMAIL PROTECTED] writes:
> > Two other annoyances (and in my mind they're UI blunders ...).
> > Practically every piece of music I've played that has letter rehearsal
> > marks DOES use the letter I. It's fine to have a default that doesn't,
>
> you have a point ther
> > The other is, if I ask for a time signature of 3/4, that's what I
> > get. Or 9/8. Or 6/8. Or 5/4 or almost anything. But if I ask for
> > 2/2 or 4/4, then that's what I DON'T get. Bad bad bad! If I want
> > common or cut-common, then I should be able to ask for that
> > directly. And in my ex
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> you have a point there. The first part I checked this in (old B&H)
> does have the letter I, but lacks the letter J. Can anyone provide
> useful statistics? We're looking for the layout of classical
> orchestral material.
Here are some I have handy
[EMAIL PROTECTED] writes:
> Two other annoyances (and in my mind they're UI blunders ...).
> Practically every piece of music I've played that has letter rehearsal
> marks DOES use the letter I. It's fine to have a default that doesn't,
you have a point there. The first part I checked this in
