[EMAIL PROTECTED] writes:
> David Raleigh Arnold wrote:
>
> > You need his permission to publish, but there is no reason to ask him
> > to surrender his rights. Why do you want to do that?
>
> I am very unsure about the legal stuff, but I think (thought...?) that
> if something was distributed
[EMAIL PROTECTED] writes:
> I think many will change their minds when they start
> using an exterior file to produce the notes. Then
> every .ly file becomes a template and the default .ly
> file merely a receptacle.
> >
> > You could also try the graphical score editor NoteEdit
> > which includ
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> We can make exceptions for example files, but he must allow
> royalty-free distribution, and live with the fact that some people
> might alter the score on their own. Perhaps it's more interesting to
> include a snippet of the score (OTOH, if it is
Hello,
Could you take pity and tell me why the bottom voice slur in this
extract does not respond to my request to attach itself to the stem ends
rather than to the note heads?
\context Staff
< \context Voice = VA { \stemUp [a'8.] a16\p}
\context Voice = VB { \stemDown \p
Carter Brey <[EMAIL PROTECTED]> writes:
> Could you take pity and tell me why the bottom voice slur in this
> extract does not respond to my request to attach itself to the stem
> ends rather than to the note heads?
>
> \context Staff
> < \context Voice = VA { \stemUp [a'8.] a16\p}
>
Yay. Got it, thanks a million.
CB
Jan Nieuwenhuizen wrote:
>Carter Brey <[EMAIL PROTECTED]> writes:
>
>>Could you take pity and tell me why the bottom voice slur in this
>>extract does not respond to my request to attach itself to the stem
>>ends rather than to the note heads?
>>
>>\context
I have tried the following experiment.
1) Get one of your .ly files and process it.
2) Get the .midi output and process it with midi2ly
3) Check them
Result: they look very different
Another issue how do use the options in midi2ly, in particular the key
option ACC[:MINOR]
Can anyone provide an
On Tue, 11 Jun 2002 08:57:52 Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > David Raleigh Arnold wrote:
> >
> > > You need his permission to publish, but there is no reason to ask
> him
> > > to surrender his rights. Why do you want to do that?
> >
> > I am very unsure about the legal
Greetings,
What would be the most elegant way to override the music font size
property in mid-stream? I'm thinking of places where notes are
traditionally set in a smaller font for a limited time, such as for cues
and cadenzas.
Thanks,
Carter
--
+-+
|Car
On Tue, 11 Jun 2002 13:05:28 Carlos Garcia Suarez wrote:
> I have tried the following experiment.
>
> 1) Get one of your .ly files and process it.
> 2) Get the .midi output and process it with midi2ly
> 3) Check them
>
> Result: they look very different
>
> Another issue how do use the options
Thanks very much for the tips. I got good results by just applying the
VerticalExtent to the tenor voice.
I like the close spacing between notes and lyrics.
Regards
Iain Phillips
Mats Bengtsson wrote:
>
> One feature of Lilypond is that it adjusts the spacing
> between different staves and bet
Hey gang,
I have a question about macro-triplets i believe they are called..
it's when 3 halfnotes act like a triplet and take up the space of 4 quarter notes.
now i have a score which includes this
soprano = \notes \times 2/3 { c''4 c4 c4 }
alto = \notes \times 2/3 { a'4 a'4 a'4 }
but this pri
> Hey gang,
> I have a question about macro-triplets i believe they are called..
> it's when 3 halfnotes act like a triplet and take up the space of 4 quarter notes.
>
> now i have a score which includes this
>
> soprano = \notes \times 2/3 { c''4 c4 c4 }
> alto = \notes \times 2/3 { a'4 a'4 a'4
>
> If you want three half notes, printed as half notes,
> why not use
>
> \times 2/3 {c2 c2 c2}
>
>/Mats
>
>
>
>
Yeah I have that but it doesn't align the other ones right..
i made a diagram but it didn't come out right
o o
ooo
is what i get, while
o o
o
>o o
>ooo
>
>is what i get, while
>
>o o
>o o o
>
>is what i need
>
>i miscopied the score is schould be
>
>soprano = \notes c''2 c2
> > alto = \notes \times 2/3 { a'2 a'2 a'2 }
Lilypond is printing what you're *asking* it to print. In order to make it
print what you *wa
> "Jule" == Jule Slootbeek <[EMAIL PROTECTED]> writes:
>>
>> If you want three half notes, printed as half notes,
>> why not use
>>
>> \times 2/3 {c2 c2 c2}
>>
>> /Mats
>>
>>
>>
>>
Jule>Yeah I have that but it doesn't align the other
Laura Conrad wrote:
>>"Jule" == Jule Slootbeek <[EMAIL PROTECTED]> writes:
>
>
> >>
> >> If you want three half notes, printed as half notes,
> >> why not use
> >>
> >> \times 2/3 {c2 c2 c2}
> >>
> >> /Mats
> >>
> >>
> >>
> >>
>
Jule Slootbeek <[EMAIL PROTECTED]> writes:
> soprano = \notes c''2 c2
> alto = \notes \times 2/3 { a'2 a'2 a'2 }
>
> it should just come out with the soprano line playing 2 half notes
> in a bar, and the alto line playing 3 half notes in the bar, taking
> up exzctly the same amout of beats as th
Thanks alot for all the input, i have to admit i was wrong, and i wasn't counting
right..
I figured it out, and i will attach my .ly file with this post.
Jule
note: It's not the final composition, it's my class final for which we had to
fulfill certain requirements, so it's not something i'm p
I have always seen bad spacing with this:
| ||
* o|
o * |
| | |
which should look like this:
| ||
* o|
o *|
| ||
A silent rest will do nothing, but 3 invisible rests or
notes will cause the right spacing. You will have to
fix coll
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