Hi folks
I managed to run lilypond-book, then LaTeX.
But it took me some time to figure out all that
I had to set in the environment.
I would like to suggest that this be explained
somewhere in the documentation for running
lilypond-book.
Suggestion:
Let LILYPOND be the directory where you built
Hi folks,
I am running into a beaming problem within a repeat.
The repeat is between two eighth notes that would
normally be connected by a beam, but because of
the repeat they should be flagged, not beamed.
This triggers a bug in 1.6.8 (on Linux, RedHat 6.4
I think I am still running). The weird
On Saturday 08 March 2003 04:25 pm, you wrote:
Hello,
I type my lily scores in GNU Emacs. Having done a
`M-x describe-mode', I found the `C-c i' facility
(LilyPond-quick-note-insert) very interesting. Inspirated by
this feature, I wrote a lilypond-quick-insert-mode, derived from
Okay, I've spent a few days poring over the docs and haven't been able to
figure this puzzle out.
The idea is that I have a pretty standard piano, melody and lyrics setup--
taken directly from the Classical-style vocal template. I've added a second
vocal line, which shows up fine and in the
(sorry if that thread is estimated a bit off-topic for the list)
Sun, 9 Mar 2003 09:11:05 -0500, tu as dit :
I have some suggestions. One is to use c7 for c16, c5 for c32, c0 for
c64 and c9 for c128. The mnemonic is to add the first and last digits.
this can already be done by
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
Hi folks,
I am running into a beaming problem within a repeat.
like that. For obvious reasons, [a8] b does not do
what I want.
Actually, over here, [a8] does work, with some warnings.
You are absolutely right, last time I tried [a8]
Please disregard my previous question. As I though, I figured it out after I
sent the e-mail.
I hate it when that happens.
-Beldon
--
Try to be the best of whatever you are, even if what you are is no
good.
___
Lilypond-user
I would like to obtain access to Leo Treitlers
article published in The Journal of Musicology, volume 10 Spring
1992 entitled The Unwritten and Written Transmission of Medieval chant
and the start-up of musical notation. Please tell me how I can down load the
article or purchase from the
