I changed the lilypond-profile and now it seems to be getting further.
I changed This:
TEXMF={$datadir,`kpsexpand \\$TEXMF`}
To this:
TEXMF={ $datadir,`kpsexpand \\$TEXMF`}
The extra { is now gone.
Now it can't find mf.base. It looks like it knows where it is,
but it
Eric Gebhart wrote:
Here's more debug. It still doesn't make any sense. There is a missing }
- Mats Bengtsson's Original Message -
As I said before, please, please keep the discussion on the mailing
list, don't just reply to me in private.
Sure. If you'll do the same. It would
OK.
You can use Integrating HTML and music with lilypond-book: you get both
eps and png images. The length of the png image is slightly
different from that you specify with the option linewidth.
Anyway, it is not clear if the option eps is supported in Integrating
LaTeX and music with
I ran lilypond (1.8.1-12) on a very simple file:
text = \lyrics { A B C }
melody = \notes { r4 c'4 e' g' }
\score {
\addlyrics
\melody
\context Lyrics {
\property Lyrics . LyricText \set #'font-relative-size
Hi all,
I just finished reading the lilypond book help and am a bit confused.
I have a complete song I want to place on a web page.
I tried placing the file minus the header inside lilypond relative1
verbatim /lilypond but it didn't like the brackets of repeats.
I then tried running the
On Mon, 2003-09-15 at 18:54, Jozsa Marton wrote:
I ran lilypond (1.8.1-12) on a very simple file:
text = \lyrics { A B C }
melody = \notes { r4 c'4 e' g' }
\score {
\addlyrics
\melody
\context Lyrics {
On Sunday 14 September 2003 06:30 am, Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
Indeed, and it suggests that the documentation should make this
point more clearly. I made the same mistake when I started out.
It really wouldn't be that difficult to make a setting to
it
On Sunday 14 September 2003 07:15 am, Rune Zedeler wrote:
David Raleigh Arnold wrote:
It really wouldn't be that difficult to make a setting to
make-key-signature-chromatics true which would do what it
says and leave notes which have accidentals alone.
Yes it would.
This way the music
[EMAIL PROTECTED] writes:
It really wouldn't be that difficult to make a setting to
it depends. It would be quite hairy to get transposition right, for
example.
Not if the operation of making the signature chromatics is done *first*.
[..snippage..]
I'm sure I could implement this
[EMAIL PROTECTED] writes:
is it possible to implement voice-following lines in scores with more
than two staves? the documentation only refers to piano staff contexts.
Yes, but I think that the staffs need to be at a fixed distance.
--
Han-Wen Nienhuys | [EMAIL PROTECTED] |
[EMAIL PROTECTED] writes:
Hi folks,
after a long time, I'm coming up with a question again:
I have a short coda (2 bars). Before the coda, obviously I have to create a
linebreak. Now the line containing the coda is unnaturally stretched, as it
gets aligned flush left and right.
Is
[EMAIL PROTECTED] writes:
if you look at the excerpt in the attachment, you can see funny
behaviour on behalf of the tuplet brackets over the rest on the last
beat of the bar.
i know this is incorrectly typeset -- the rest should be typed as a
normal r4, but the behaviour of the tuplet
So sorry,
ly2dvi --png does that.
Aaron
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Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
Amelie Zapf writes:
Hi,
Is there a way to align this line (and only this line) ragged-right?
I'm using 1.6.7 (have to update sometime).
Easiest woraround would be to use a second \score block, making it a
second 'piece' where you use raggedright.
Jan.
--
Jan Nieuwenhuizen [EMAIL PROTECTED]
[EMAIL PROTECTED] writes:
All I wanted was Lilypond on my Windows machines
[..]
I do not want to know how cygwin works; i have used it in the past
without any detailed knowledge. I am not interested in cygwin, just
music typesetting.
A Windows-machine, (or any-machine) without a
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