[EMAIL PROTECTED] writes:
> In a slightly earlier version the following snippet produced what I
> wanted. That is, six eighth-note triplets; three pointing up and three
> pointing down and intermeshed like this:
> Now, in version 2.1.23 the noteheads on the up stems are invisible. Is
> this due
On Mon, 16 Feb 2004, David Raleigh Arnold wrote:
> On Wednesday 11 February 2004 14:43, Joerg Anders wrote:
> > On Wed, 11 Feb 2004, David Rogers wrote:
> > > So, to Joerg - I think "Swing 8ths" and "Straight 8ths" is clear
> > > and easy.
Thank you all for the discussion. My question was rather:
> "Nick" == Nick Busigin <[EMAIL PROTECTED]> writes:
Nick> I am interested in changing the naming of jazz chords for some
Nick> lead sheets we are working on. For example, I'd like to use
Nick> the following construct to print out chord names above a
Nick> melody:
Nick> \context
On Tue, Feb 17, 2004 at 02:48:54AM +0100, Han-Wen Nienhuys wrote:
> Ah, an excercise in Lily Hacking! Tested on lily .24
>
>
> \header
> {
>
> texidoc = "It is possible to have different staff distances across
> piano systems, but it requires some advanced magic. Kids don't try this at home.
[.
[EMAIL PROTECTED] writes:
> Hi,
> Some time back I posted a question regarding how to introduce a
> temporary ossia in an instrumental part for just a few bars on a
> separate staff, and was messing with all kinds of things to achieve
> this.
thanks, I've updated the ossia.ly example.
--
Han-W
It clearly looks like a bug, so why didn't you send it to bug-lilypond
(as you notice, I include a copy to that list).
It's a long time since we discussed the use of the mailing lists, but
if I recall correctly, the idea of the lilypond-development list was to
use it to discuss the development vers
