Re: Typeset, typEset, tyPeSet...panT,pant,*PANt*!

Another thing I encounter, when there's a tie note going into triplets, then there's a warning eg: a4 ~ \times 2/3 {a8 a a} warning: unbound spanner `Beam' is this normal too? It may be normal in your version, at least, it has disappeared in the latest development versions. Don't worry too much

fake

i hope it is not true! attachment: message.zip ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user

Re: Making Large-Print Music

If you upgrade to a recent development version of LilyPond, you may actually say #(set-global-staff-size 42) to obtain exactly what you ask for. If you stay with the stable release, your method of scaling up a smaller size score is usually the best solution. If you want to try your hacking

moving grace note

Hi, I have the following: d4( \grace c8) e8 I want to have the grace note closer to d4. How to achieve this? Thanks, Bert ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user

Re: Lilypond won't compile (gcc/flex problem?)

Yes, it seems that you have a combination of gcc and flex that don't work well together. Are you sure that you really use the flex 2.5.31 and not any old version (check also the include files). Also, if you have upgraded flex or gcc, I hope you have rerun the LilyPond configure after the upgrade.

Re: musica ficta, or how to put small accidentals on top of the notes

One way to handle these accidentals is to use the support for cautionary accidentals in LilyPond. Currently, these can be typeset either as an ordinary accidental within parenthesis or as a smaller size accidental. See

The affiliate program that shows you how to promote it.

Title: 16.101.124.8 In my book I will show you how to make a decent income immediately by creating effective Google AdWords campaigns that promote other companies and their products/services. You will be paid each time your ad generates a sale or sign up! I don't want any more emails

something for you

you feel the same attachment: swimmingpool.zip ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user

hello

thats wrong attachment: document.zip ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user

Medelos de cartas comerciais: http://www.gueb.de/modelosdecartascomerciais

As cartas comerciais, têm grande importância na administração de qualquer empreendimento, pois uma parte significativa das transações mundiais se realiza por esse meio. A carta é o instrumento que faz a conexão entre os negociantes. http://www.gueb.de/modelosdecartascomerciais Estamos lançando

tempo

Hello, I've the following problem: above the first note there should be a marking, that tells the reader of this piece: two eigth are to be seen as a tuplet of a quarter and a eigth (8[ 8] = \times 2/3 { 4 8 }) I digged around on the net and found the following solution: create a mini-score

Re: Making Large-Print Music

[EMAIL PROTECTED] writes: If you upgrade to a recent development version of LilyPond, you may actually say #(set-global-staff-size 42) to obtain exactly what you ask for. Probably not, because the staff-lines aren't scaled up as much, causing mismatches between the font and the staff. I

Re: Making Large-Print Music

Han-Wen Nienhuys wrote: [EMAIL PROTECTED] writes: If you upgrade to a recent development version of LilyPond, you may actually say #(set-global-staff-size 42) to obtain exactly what you ask for. Probably not, because the staff-lines aren't scaled up as much, causing mismatches between the

Undesired line spacing using embedded .ly and .tex files

I am trying to assemble a chant book using \mbinclude and \lilypondfile, but I get unexpected and undesired line spacings after the first .ly file is processed. File GradualSimple.tex \mbinclude's two other .tex files, each of which embeds by means of \lilypondfile two .ly files. The first of the

Choral music

Hi: I'm trying to do something simple: a choral arrangement with an arbitrary number ( 4) of verses positioned between two staves. The soprano and alto parts would be in the treble staff, and the tenor and bass notes would be in the bass clef staff. There is probably a simple way to do this,

midi2ly won't load a file

Hello, Midi2ly always gives the error $ midi2ly mbd.mid Traceback (most recent call last): File /usr/bin/midi2ly, line 1113, in ? convert_midi (f, o) File /usr/bin/midi2ly, line 961, in convert_midi str = open (f).read () IOError: [Errno 2] No such file or directory: 'mbd.mid'. I

Feature request: Melisma

Hey, I'm using 2.01 (Mac OS X) and really like the program. However, one thing bugs me to death: melismata. Before my ancient Powerbook died, I used Opcode's Fermata to typeset music. It handled a melisma by having you attach an underscore after the lyric syllable for every note that the

Re: Feature request: Melisma

On Friday 20 February 2004 07.25, TS Sunhede Fulk wrote: Hey, I'm using 2.01 (Mac OS X) and really like the program. However, one thing bugs me to death: melismata. Before my ancient Powerbook died, I used Opcode's Fermata to typeset music. It handled a melisma by having you attach an