Hi !
I have tried to download lily pond from several sites with a connection
of 640kb/s but none were successful !
please is there any one that can provide the ystems
Arie
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At 11:49 AM 3/17/2004, Mats Bengtsson wrote:
>I hope you have also considered if it is possible or not to have
>an appoggiatura/acciaccatura under a normal slur. I don't know
>the answer.
Unless I'm confused about exactly what's being discussed, it's not an
unheard of ornamentation, even under a
Hello,
I am engraving a solo guitar arrangement of a traditional folk tune that
has chord symbols above the music staff. The problem is that when the melody
goes higher on the staff, more space is required between the staff and the
chord names. But when the melody is not so high, then you end u
Hi all,
I am a lilypond newbie. I would like to use lilypond to produce very
simple lead sheets
as such:
G G7
I followed her to the station,
G G7
her suitcase in my hand
C C7
I followed her
Hi,
I have the line
\include "deutsch.ly"
in my .ly-files, but if I use the
\translator { \EasyNotation }
then the result for the english note "b", which in german is called "h",
is only the english B in the note.
Perhaps it could be easy to change it by myself:
Par example, it is very
...has been posted to Fink
(Thanks, Matthias!)
Stan
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On Wednesday 17 March 2004 08:38, Mats Bengtsson wrote:
> Edward Sanford Sutton, III wrote:
> > On Tuesday March 16 2004 10:45, Mats Bengtsson wrote:
> >>A single grace notes without a slur but with a slash is trivial to
> >>obtain, see
> >>http://mail.gnu.org/archive/html/lilypond-user/2004-02/msg
Rob,
I tried your trick with the extra:
\set minimumVerticalExtent = ##f
\set verticalExtent = #'(1 . 0)
...just before the \lyrics that needed to be moved. It worked just
fine.
As for your observation that a new lyric line was causing the lyrics to
be set lower; I had thought about that, but
Hi at all,
(lilypond version 2.1.28)
in my last E-Mail with this subject I said, that in a book-dokument with
many little scores the headers would appear to far above the scores (in
opposite to the same scores (*.ly), translated with lilypond -P to *.ps)
Now I found, that this is not quite correc
David,
I think the problem is because starting a new lyric line starts a new verse, which
gets it's own line below the first. I tried the same technique to move this line
second line around. This file below should help. I'll be able to use these ideas to
line up my lyrics better, too.
Rob
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I guess the problem appears if you want another slur to end at the
main note after the appoggiatura/acciaccatura.
I was actually surprised myself to notice that slurs indeed can be
nested in LilyPond of neither the start nor the end point coincid
On the topic of ambiguities, es and ees both are e-flat; I haven't seen it
documented or used so I avoid it myself. it it normal, correct, and
acceptable for proper style?
It's probably just included for completeness. For people who don't
speak dutch, it's easier to discribe the general principle
On Wednesday March 17 2004 10:48, Mats Bengtsson wrote:
> > On the topic of ambiguities, es and ees both are e-flat; I haven't seen
> > it documented or used so I avoid it myself. it it normal, correct, and
> > acceptable for proper style?
>
> It's probably just included for completeness. For peopl
On Wednesday March 17 2004 06:38, Mats Bengtsson wrote:
> Edward Sanford Sutton, III wrote:
> > On Tuesday March 16 2004 10:45, Mats Bengtsson wrote:
> >>A single grace notes without a slur but with a slash is trivial to
> >>obtain, see
> >>http://mail.gnu.org/archive/html/lilypond-user/2004-02/msg
A long time ago, the Windows version of LilyPond did use
MikTeX to process the generated TeX files. However, this led
to lots of problems, setting environment variables to make MikTeX
find all the necessary include files and fonts for LilyPond.
Currently, we use the teTeX distribution within the cy
Whoever this reads,
I want to use Lilypond to include some music notes into my examination
paper. Until now I used MiKTeX and want to continue to do so. I mailed with
someone who wrote this:
All that lilypond-book does is go through your input file and run LilyPond
on the musical bits in the fi
[EMAIL PROTECTED] writes:
> I guess the problem appears if you want another slur to end at the
> main note after the appoggiatura/acciaccatura.
>
> I was actually surprised myself to notice that slurs indeed can be
> nested in LilyPond of neither the start nor the end point coincide.
this feature
Edward Sanford Sutton, III wrote:
On Tuesday March 16 2004 10:45, Mats Bengtsson wrote:
A single grace notes without a slur but with a slash is trivial to
obtain, see
http://mail.gnu.org/archive/html/lilypond-user/2004-02/msg00122.html
Is there a doc somewhere that would have told me that a gr
Hi,
I know it's not the whole solution, but to abbreviate things you might
use:
\repeat unfold x {\beatnotes}
...to avoid repetition.
Also, if you have a riff which you use over and over again, how about
defining it separately:
myriff = \notes {a8 a8 a4 a4 a8 a8}
myotherriff = \notes {a4 a
[EMAIL PROTECTED] wrote:
On Tue, 16 Mar 2004 17:12:12 -0800 (PST), monk Innocent
Lewis wrote:
Starting from the beginning: I went to the Download
page for LilyPond 2.0 for Windows. (I am using XP and
am logged on as the administrator.) I did a
"shift-click" on the set-up file and then was able to
i
Thank you for this Bert, much appreciated.
Now finally I feel I have full control over lyrics placement and inter staff
spacing.
I sing tenor you see, so I look at this staff rather a lot.
Warren Stickney
Wellington,
New Zealand
Lily 2.0.1
Cygwin
Replying to your:
> Message: 5
> Date: Tue, 16 Ma
On Tuesday March 16 2004 21:52, [EMAIL PROTECTED] wrote:
> Now that I have Lilypond working, I have been running it
> through some prove out tests. I want to begin learning how
> to write music and would love to have an excellent open
> source notation system. One of the things that jumps out at
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