On 14-Jun-04, at 9:40 PM, Joshua Koo wrote:
I was browsing around the mutopia-project and I saw this piece, F.
Chopin: Prelude (Op. 28, No. 1) for Piano, by Donald Axel.
The shock for me was for just about a page of music, there's about
over 800 lines in the lilypond source.
I haven't seen the li
Hi all,
I was browsing around the mutopia-project and I saw this piece, F. Chopin: Prelude
(Op. 28, No. 1) for Piano, by Donald Axel.
The shock for me was for just about a page of music, there's about over 800 lines in
the lilypond source.
Yesterday I spent 6 hours and only completed 3 pages of
On Mon, 2004-06-14 at 17:40, Han-Wen Nienhuys wrote:
> [EMAIL PROTECTED] writes:
> > On Mon, 2004-06-14 at 11:16, Bryan, Chris wrote:
> > > Is it possible to do feathered beams in LY? If so, how?
> >
> > there is no native mechanism for this. i hacked it a while ago by making
> > two simultaneou
Owen Taylor writes:
> "Quite a hack". Why?
Well, I saw more than one screen of changelog entries to begin with!
(It was meant in a quite positive way.)
> API docs are with the check-in.
Ah, it's all in comments. I'll have a look how to build the docs.
Greetings,
Jan.
--
Jan Nieuwenhuizen <[
[EMAIL PROTECTED] writes:
> On Mon, 2004-06-14 at 11:16, Bryan, Chris wrote:
> > Is it possible to do feathered beams in LY? If so, how?
>
> there is no native mechanism for this. i hacked it a while ago by making
> two simultaneous beamed note-groups, with the beams tilted opposite
> directions
[EMAIL PROTECTED] writes:
> I don't know how hard it would be to implement that, but I do know a
> bit of c++. If the developers need any grunt-work accomplished, let me
> know.
If you're into serious grunting: the code is in lily/beam.cc,
Beam::print(), and it should not be so difficult to add
Owen Taylor writes:
> Chris Blizzard is working on some API enhancements to Pango to
> allow the application to control how this mapping works
I've just noticed that Chris has already checked in quite a hack and
I'm wondering if you could point me to an example or documentation
about how to use t
Firstly & most importantly a big thankyou to everyone involved in Lilypond for such an
amazing program - and free too! Please keep up the good work.
I am involved with engraving music for the accordion, particularly the piano accordion
with stradella bass. As the actual notes that play when you
Hi,
For me, \newpage in at bar lines do nothing, but \\newpage in piece
header is fine.
For instance :
\header { piece = "\\huge \\begin{center} \\newpage \\textbf{Noel
Anglois} \\\* \\end{center} \\Large \\textit{Cornet de recit}" }
Lilypond: version 2.2.2
@+,
Pascal
Le 14 juin 04, à 17:24, Ma
If it isn't yet "officially" possible (although I like your hack!), I
would absolutely LOVE to see it as a feature in a future release.
(Consider that a subtle hint to the developers!)
More specifically, it would be cool to be able to specify the number of
starting/ending beams, allow for direct
On Mon, 2004-06-14 at 11:16, Bryan, Chris wrote:
> Is it possible to do feathered beams in LY? If so, how?
there is no native mechanism for this. i hacked it a while ago by making
two simultaneous beamed note-groups, with the beams tilted opposite
directions in each, and tweaked so the beam star
You can add a page break using the command \newpage. Just as
\break for line breaking, it will only work at bar lines.
For the moment, there's no way to prevent page breaks, but often
you can control it by adding them manually where you want them.
/Mats
LEGRAND Jean-Marc wrote:
HI !
I've been tr
Is it possible to do feathered beams in LY? If so, how?
Thanks,
-Chris
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HI !
I've been trying to understand messages about that pb, but I can't find out how to
force page breaks
with Lilypond 2.0.
My score is divided in little verses (it's a Folia), and I'de like to avoid turning
pages during a
verse. How can I do it ?
Thanks
On 13-Jun-04, at 3:50 AM, Alex Klein wrote:
I was wondering, what is the correct way to engrave the tempo
instructions (for example "Allegro vivace") in a classical piece? I
usually use the piece text in the header (which works nice but in most
scores I know the tempo instruction is set above th
Joshua Koo wrote:
Hi,
1. How do I add words to dynamics?
For example adding square brackets to f --> [f]
or spelling the full name Forte but having the rest of the letters "orte" the same font with the "F".
or maybe creating an optional trill --> (tr)
Perphaps this works
r4-\markup { \bold{ \larg
Sorry, now I realize what you mean. Extending the staff lines turns out
to be a fairly simple exercise, however I have not managed to place the
custos at the end of the line.
\score{
\new Staff \notes\relative c'{
c d e f g a b c c b a g f e d c
c d e f g a b c c b a g f e d c
c d e f
I don't understand what problem you have without having seen the
actual code. If you don't wish to send the full file to the
mailing list, you could send it to me in a private email,
and I will try to take a look.
/Mats
Cameron and Trudy Horsburgh wrote:
Thanks for your reply Mats (and Ralph!)
T
Benjamin D. Smedberg writes:
> In plainchant, the staff lines should extend to the end of each
> line, but the actual notes and text should be spaced and engraved as
> if it were left-justified (except for the custos).
Maybe using raggedright (to left-justify notes), combined with extending
the s
Thanks for your reply Mats (and Ralph!)
This doesn't appear to have fixed my problem, but it has forced me to
tidy up my code a lot, so thanks anyway!
At the end of the process though, the lyrics were still unevenly aligned
and the skip rests caused a few barcheck problems too. However, I did
n
Ragged right does not extend the staff lines to the end of the page.
This is important even for the last line of music (after the last
\finalis). In addition, the custos must be right-justified.
Mats Bengtsson wrote:
Have you tried
\paper{ raggedright = ##t}
See
http://lilypond.org/doc/v2.2/Doc
"Joshua Koo" <[EMAIL PROTECTED]> writes:
> Perphaps this works
> r4-\markup { \bold{ \large { \italic {"[" \dynamic "f" "]" }}} }
> But I find this funny. Any ideas?
Looks a lot like the way I do things; I'll often do stuff like:
c4-\markup{\italic{\dynamic{p} dolce}}
Only trouble is, Lilyp
Hi,
1. How do I add words to dynamics?
For example adding square brackets to f --> [f]
or spelling the full name Forte but having the rest of the letters "orte" the same
font with the "F".
or maybe creating an optional trill --> (tr)
Perphaps this works
r4-\markup { \bold{ \large { \italic {"["
One solution is to use the \RemoveEmptyStaffContext and simply insert
multimeasure rests in the second stave. Then, LilyPond will
automatically remove the second stave and the opening brace on the
lines where there are no notes.
Example:
uppervoice=\new Staff \notes\relative c'{
c d e f g a b c c b
My 50c:
>
> I've been using Lilypond for percussion notation (mostly snare drum
> and drum-set) and have found it produces good results. Tremolos in
> ruffs and rolls _can_ be aligned with beams. This is how it is done
> in Wilcoxon's All American Drummer (one of the seminal snare drum
> books). T
$B%[!<%`%Z!<%83+$-$^$7$?!#8+$F$M!*!*(B
(Bhttp://member.box.ne.jp/~yuuki20/
(B
(B
(B___
(Blilypond-user mailing list
(B[EMAIL PROTECTED]
(Bhttp://lists.gnu.org/mailman/listinfo/lilypond-user
Hi,
Nice to hear another cornet player using Lilypond ;)
I'm guessing, but I think that each "\context Lyrics" is creating a new
separate context, so that they are stacking up vertically.
I'm not near a Lilypond to try it, but try "\context Lyrics = LONE"
instead and see if that helps.
Regards,
R
Bruce McIntyre wrote:
Hi.
Peter Mogensen wrote:
- representing snare drum notes. (Ruffs, rolls and flams). The
current layout is acceptable, but the it's a hack. It would be
better if Lilypond knew the correct musical concept. Tremolos in
ruffs and rolls should not be aligned with beams. It's an
The problem is that each set of lyrics will be typeset in a new
Lyrics context. Since the contexts are placed vertically in the
order they are created, each new one will appear one step further
down. To make LilyPond realize that all the lyrics should be typeset
in the same Lyrics context, you have
Alex Young wrote:
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Hash: SHA1
On Sunday 13 June 2004 10:50, Alex Klein wrote:
Hi guys,
I was wondering, what is the correct way to engrave the tempo
instructions (for example "Allegro vivace") in a classical piece? I
usually use the piece text in the header (which
Have you tried
\paper{ raggedright = ##t}
See
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Page-layout.html#Page%20layout
/Mats
Benjamin D. Smedberg wrote:
I am new to Lilypond, having been a user of Finale for many years. I am
a relatively experienced programmer, having e
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