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Bad credit is no problem, you can pull cash out or refinance.
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Dave Phillips writes:
> Not so much success with abc2ly and musedata2ly
What problems do you have, can you post an error log?
abc2ly is used quite heavily, notably by Laura Conrad (see
http://laymusic.org).
As abc2ly is a python script, you may want to look at the latest
version in CVS
ht
Hi Ferenc:
Thank you, that's just what I needed.
I've "successfully" imported some MIDI files into LY format, and I
started using the excellent emacs LilyPond mode. Very cool. Not so much
success with abc2ly and musedata2ly, and I haven't figured out how to
activate the LP mode in vi.
Back t
Dave Phillips <[EMAIL PROTECTED]> writes:
> My question now is whether this list is appropriate for questions
> regarding Denemo.
Welcome! Some questions may be on topic here, while for the
rest you can try Denemo's own mailing lists, see
http://sourceforge.net/mail/?group_id=1952
--
Feri.
__
On Wed Jun 30, 2004 at 03:06:16PM +0200, Mats Bengtsson wrote:
> I hope you have noticed the skipTypesetting property. See
> http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Skipping-corrected-music.html
sure, I have used it but for some reason I found the use of variables
for sect
Hello,
you could use this instead:
...
\context Staff = one \with { \remove Volta_engraver }
\melody
...
\paper {
\context {
\ScoreContext \consists "Volta_engraver"
\override VoltaBracket #'minimum-space = #0
}
}
B
Newbee question:
I was doing a simple lead sheet with repeats and alternatives and had
trouble with the chordnames being above the alternative ending brackets
rather than between the brackets and the staff, which is the usual way
of doing lead sheets.
I got some help which lead me to a solution
Hi Mats,
Many thanks for that.
I will give it a try!
BTW, if anybody is interested, I've earned some money from typesetting a band score
with Lilypond for somebody and they are very pleased with the result! Sounds like the
start of a wonderful career ;-)
Even more thanks to all concerned for a
Added this to repository as crash-axis-group-engraver.ly
%crash important
[EMAIL PROTECTED]
\header {texidoc = "lilypond hangs during 'Preprocessing graphical objects...'
Problem disappears if you remove the comment." }
\version "2.2.3"
\score{
\notes\new StaffGroup <<
\new Staff {c1 c c c c c
As is typical with me, I misread the instructions for lilypond-book
--process. After some toying around, I got it to build at last.
There are some problems, however. One is that nothing in \header {}
(found in header.ly) is printed in the final output. This is not a
terrible problem; I can inse
[EMAIL PROTECTED] writes:
> Hello, I have used Lilypond just last week to create a few musical
> scores (pop music with a chordline, melody line, and lyrics).
>
> Anyway I have some comments regarding usage, mainly the problems I
> encountered. I can possibly fix them given some encouragement...m
This is because the \newpage command just redefines what will happen
between successive score lines within a piece. To get a page break
between two pieces, you can simply insert a LaTeX page breaking
command in the titling text:
\header{ piece = "\\newpage Piece 2" }
/Mats
Pascal Legris wrote:
Go to the on-line docuementation for your version of LilyPond at
www.lilypond.org. Click on Tips and Tricks and search for the
example file staff-size.ly.
/Mats
Felix Hammer wrote:
Hello
I tried to do following.
i have a system with two staffs. It should be a violin-duo.
the first staff should b
It seems it's not enough to add the Hara_kiri_engraver, you
have to copy also another line from the definition of
RemoveEmptyStaffContext in ly/engraver-init.ly
\score{
\notes\new StaffGroup <<
\new Staff {c1 c c c c c c c \break e e e e e e e e \break d1 d d d d
d d d}
\new Staff {c1 c c c c
for example in the ChordNames context. In the doc I find the properties of
the engravers and I find the translator properties that are given a default
value. Is that all that should be set?
There are certainly a number of properties that are useful to
set but that are unset by default. However, it
Certainly, just remember to replace each backslash with a
double backslash: \\thinspace. However, note that you may
confuse the algorithm in LilyPond that tries to calculate
the width of each syllable to determine the note spacing.
/Mats
TS Sunhede Fulk wrote:
Is there anyway to use Latex comman
Walter Hofmeister wrote:
I have noticed that over the last year there have been repeated requests
for how to do certain things (height of alternative ending and getting
chords to appear at the correct height). Perhaps much of this could be
solved by having an organized document that is included
Did you try to attach an example. In that case, it didn't make
it through to the mailing list as the list server filters away
attachments in an attempt to avoid spreading viruses.
It's a very good idea to include an example together with a
question, but in that case you can simply paste it into the
Always tell what LilyPond version you use when asking a question.
I will assume the latest stable version, 2.2.x.
At the end of the section on "Fingering instructions" in the on-line
version of the manual, you will find a link to "Fingering" which
shows a list of all the properties that are set by
Mats Bengtsson <[EMAIL PROTECTED]> writes:
> Pedro Kroger wrote:
>
>> I forgot to mention that if you typeset long scores, it may be a good
>> idea to use variables. I use variables for each section, like
>> \sectiona \sectionb, etc. Them I can comment out the sections I don't
>> want to compile r
Hello everyone:
I'm currently writing a profile of LilyPond and am learning how to use
it via the tutorial and other packaged documentation. I'm also testing
the various input facilitators (NoteEdit, Denemo, emacs, vi,
Rosegarden). Hopefully I'll be able to find answers here if/when I get
snag
For the moment, there is no direct support to add an
arbitrary markup at an arbitrary pitch within a stave.
However, you can always use the extra-offset property
to move a markup to the desired position, even though it
may require some manual tweaking to find the correct
offset for each markup.
C. J. Evans writes:
> Is there anything else that needs to be done?
No.
> I ask this because most of the downloaded files are of type .tar.bz2
Yes.
> Do they all need to be extracted
Yes.
> (and if so, do I use the default locations suggested by WinRAR)
No.
> or has the setup program alrea
I hope you have noticed the skipTypesetting property. See
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Skipping-corrected-music.html
/Mats
Pedro Kroger wrote:
I forgot to mention that if you typeset long scores, it may be a good
idea to use variables. I use variables for each
Since the text is not typeset with a fixed width font, the number of
characters that fit in will depend on the actual wording.
Anyway, you could try to increase the indentation of the first
score line to fit in a longer word:
\score{
...
\paper{
indent = 3.0\cm
...
}
}
An alternative is to brea
Hi. I followed the instructions on the page:
http://lilypond.org/web/download/windows.html
Is there anything else that needs to be done? I ask this because most of the
downloaded files are of type .tar.bz2 Do they all need to be extracted (and
if so, do I use the default locations suggested by Wi
hi daveA and Graham,
thanks for the tips. will oram has sent me a copy of mighty midi and
specific instructions on getting timidity up and running.
also, is this a mac specific problem? is there a fix in the works?
IIRC, there was some discussion about whether tempo changes belonged
in track 0,
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