I know how to display the new tuning for a stringed instrument. Can
Lilypond (almost certainly via scheme) print the noteheads correctly?
I mean, can the lilypond input file be written in C, and have
Lilypond/scheme transpose only the appropriate notes?
In my example, the viola C string is tu
On 31-Jul-04, at 8:06 PM, Lyle Raymond wrote:
I'm engraving copies of some solo transcriptions I've done, and I've
run into
a couple of challenges:
1. How does one indicate a glissando from an indeterminate source (as
opposed
to a gliss between two specific notes)?
Use an invisible note. (see
I'm engraving copies of some solo transcriptions I've done, and I've run into
a couple of challenges:
1. How does one indicate a glissando from an indeterminate source (as opposed
to a gliss between two specific notes)?
2. What is the best way to display a "ghost" note, either by changing the
Hello, this is a specific question I'm having problems with:
I have the following notation:
2( 4)
that's a half-note cord slurred with a quarter note chord. The notation
is fine, but it only slurs the top notes of the chords, and I want
another slur connecting the bottom notes of the chords, if y
I am including some inline code which is an attempt on my part
to print a drum score crib sheet without bar numbers. Commented out
stuff doesn't work.
Bug?
The line #(set-default-paper-size "letter") seems to cause a
layout problem although my usage of it may be incorrect.
I noticed while adding
On Jul 31, 2004, at 12:29 AM, Graham Percival wrote:
If Rosegarden/Noteedit/MusE/ any those graphical score editing
programs (that
also export lily code) run on windows and osx in addition to Linux, it
might
be better to point newbies at those programs. Lilypond could focus its
speciality (makin
New Question:
following is a short lilypond script which ought to illustrate the fingering
for an e-form A major chord. After rendering, I get a block of tab
fingerings with a large stem running through it. How do I avoid this?
.lp code follows: --v
1 \score
I thought a trick for starting a slur or tie at the beginning of an
alternate ending (previous to the first note in the ending as if the
slur had started before the ending) had been posted or documented
somewhere but I haven't been able to find it. Can anyone help?
TIA,
Paul Scott
___
David Raleigh Arnold wrote:
On Wednesday 28 July 2004 12:09 pm, Ralph Little wrote:
Hi,
Unless I'm mistaken, cut-common and common-time are actually
different things.
Cut-common is the same as 2/2 not 4/4, whereas common-time and 4/4
are the same thing.
Cut-common is usually represented with a C
