On Saturday 28 August 2004 21:02, Andrew McNabb wrote:
> But my other question is: is there a way to have include files or
> something like that? I have a bunch of macros to reuse a lot, and
> it seems like a bad idea to have them in each individual file,
> especially if I'm using lilypond-book.
Okay. I just found \stemDown, which is obviously better than this:
> \override Beam #'dir-function = #beam-always-down
So disregard that.
But my other question is: is there a way to have include files or
something like that? I have a bunch of macros to reuse a lot, and it
seems like a bad idea
This last week I've made some more progress with using Lilypond with
bagpipe music. I'm just starting to get over the hump of the learning
curve. I have a few comments to share with regard to getting Lilypond
to do bagpipe music. I'm certain that I'll also have a few questions in
the very near f
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[EMAIL PROTECTED]
> Things seem to work ok for mini files, but as soon as I trie to
write
> something larger, I keep running into problems, such as: I define a
> chord \foo and a chord \baz, and when I make a sequence \foo \baz
\foo
> \baz, the first occurrence of \foo is an octave lower than the
second
> one, a
I upgraded to Lilypond 2.2.6 today (from 2.1), and discovered that the
pdf output renders incorrectly with gpdf (but still looks fine in
xpdf). Many noteheads, and other symbols as well, show up "halved", as
if there were white objects in front of them.
The .ps file looks good in gv and ggv.
ggv
[EMAIL PROTECTED] writes:
> but very often i get a crash with these errors:
> ../flower/include/array.hh:149: failed assertion `i >=0&&i lilypond: error: LilyPond crashed (signal 6).
> lilypond: error: Please submit a bug report to [EMAIL PROTECTED]
> lilypond: warning: Running LilyPond failed. Rer
on: lilypond 2.2.5, macos 10.3.5
is there a way to consistently put beams over rests within the same
beat without getting a *warning: beam has less than two visible stems*?
i often write very complicated rhythms with many rests of different
durations and many very short rhythms, and i and many i
