Hi list.
Working on lily 2.4 win XP.
I have a full score splitted like this :
\include bI0X.ly
\include bII0X.ly
\include bc0X.ly
\score {
\context Staff =basseI \basseI
\context Staff =basseII \basseII
\context Staff =bassec \bc
\layout
Jean-marc LEGRAND wrote:
When I run lily, I only get one midi file, corresponding to the last score
block.
How can I get a full midi file, or at least 4 midi files ?
Regards.
This is a well-known bug which has been fixed in the latest development
version (2.5.20).
Maurizio
--
Why don't you simply insert a \break where you want the page break and
set
\paper{
raggedlastbottom = ##f
}
so that LilyPond automatically spreads the systems over the available
space?
/Mats
Fairchild wrote:
The goal of the shtick below is to balance the two printed pages with ten
lines on
In principle, lilypond-book does not put any limitations on
where in your LaTeX document you put your music. However, when
trying the obvious
\section{\lilypond[fragment]{c d e f}}
latex will complain, probably there are some limitations in LaTeX on
what can go into the argument of \section{...}.
Hi,
I am trying to replace a \tempo, which is too big and apears on top of
the first note, instead of more to the left, with a text markup.
The note in the markup is too big: I tried to change its size with
magnify which did not work :(
Is there a workaround?
Cheers,
Ron
If you provide an example, it's much easier to provide a
relevant answer.
/Mats
Ron Piterman wrote:
Hi,
I am trying to replace a \tempo, which is too big and apears on top of
the first note, instead of more to the left, with a text markup.
The note in the markup is too big: I tried to change
On Thursday 21 April 2005 10.35, Mats Bengtsson wrote:
Why don't you simply insert a \break where you want the page break and
(that's \pageBreak)
set
\paper{
raggedlastbottom = ##f
}
so that LilyPond automatically spreads the systems over the available
space?
This sometimes gives too
You are right there are restrictions on what can go in a section header
which is why I said in a previous e-mail that this \section and
\subsection etc macros might need to be re-defined.
Your solution does not work for a multi-line score because you don't
want all the lines in the same savebox.
Bernard Hurley wrote:
You are right there are restrictions on what can go in a section header
which is why I said in a previous e-mail that this \section and
\subsection etc macros might need to be re-defined.
Your solution does not work for a multi-line score because you don't
want all the lines
Mats Bengtsson:
If you provide an example, it's much easier to provide a
relevant answer.
\markup { \note #4 #1 =108 }
is too big,
so I tried
\markup { \magnify #0.5 \note #4 #1 =108 }
which made no difference :(
Cheers,
Ron
/Mats
Ron Piterman wrote:
Hi,
I am trying to replace a \tempo,
Try something like
c ^\markup { \small { \note #4 #1 =108 }}
if you want the size change to apply to both the note and the
text.
/Mats
ron wrote:
Mats Bengtsson:
If you provide an example, it's much easier to provide a
relevant answer.
\markup { \note #4 #1 =108 }
is too big,
so I tried
When I try to install Ghostscript 8.15 in order to upgrade Lilypond to
2.5 on Fedora Core 3, I get unresolved dependencies (file libijs.so
missing). Has anyone encountered or solved a similar problem?
Thanks.
Bostjan
___
lilypond-user mailing list
Mats Bengtsson wrote:
On the other hand, why would you ever want a multi-line score
in a section title?
I had understood the request was to get the sort of formatting you get
in some editions of Bach chorales where numbers appear to the left of
the first line of scores. But with the
How about a \begin{enumerate} ... \end{enumerate} ?
/Mats
Bernard Hurley wrote:
Mats Bengtsson wrote:
On the other hand, why would you ever want a multi-line score
in a section title?
I had understood the request was to get the sort of formatting you get
in some editions of Bach chorales
Mats Bengtsson:
Try something like
c ^\markup { \small { \note #4 #1 =108 }}
if you want the size change to apply to both the note and the
text.
/Mats
Once again :) Thanx
ron wrote:
Mats Bengtsson:
If you provide an example, it's much easier to provide a
relevant answer.
\markup { \note #4 #1
Mats Bengtsson wrote:
I understood the request to mean you could have something like:
2.3.4 Title 1
section body 1
2.3.5 Music
2.3.6 Title 2
section body 2
So in effect you have text sections - with titles and music sections
that have no title but where the score starts on the
Mats -
The code does have \break \pagebreak at the end of STUFF, but \pagebreak
seems to be ignored.
- Bruce
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 21, 2005 3:35 AM
To: Fairchild
Cc: bug-lilypond@gnu.org;
Hi!
I often use lilypond (2.4.2) to produce chord sheets (i. e. no actual
staff, only chords, barlines and repeats), as described in the manual
(see below). However, I have not managed to add time signatures to the
notation.
Just adding \consists Timing_engraver to the \with block doesn't work
Why not try to add the Time_signature_engraver instead, that's
the one that typesets the time signature.
/Mats
Erik Ronström wrote:
Hi!
I often use lilypond (2.4.2) to produce chord sheets (i. e. no actual
staff, only chords, barlines and repeats), as described in the manual
(see below).
I am making a jazz lead sheet and I have two questions.
1) I need the treble clef and key signature to be printed at the beginning
of the first line, and then never again on subsequent lines. I tried making
the treble clefs on these lines invisible, but it left too much blank staff
space on
Ron -
For precise control, you can use
c^\markup { \fontsize #-6.0 \note #4 #1 =108 }
or
c^\markup { \fontsize #-6.0 { \note #4 #1 =108 }}
\magnify #m has been changed to \fontsize #f, where
f = 8.65617 ln(m)
I.e.:
\magnify #2.0 becomes \fontsize #6.0,
\magnify #1.0 becomes \fontsize #0.0,
\break and \pagebreak only work in the middle of a score, if you
want to manual specify a page break between two scores, then you
need a recent version of 2.5.xx, where you can set
breakbefore = ##t
in the \header{...} field.
/Mats
Fairchild wrote:
Mats -
The code does have \break \pagebreak at
Hi,
Just something to clarify using chords in a relative block, lets say
\relative {
pitchA pitchB pitchC pitchD
}
which pitch will be relatived to which pitch?
pitchB relative to pitch A,
pitchC relative to pitch B, or pitchC relative to pitch A ?
pitchD relative to pitch C, or
On Thursday 21 April 2005 05:29 am, you wrote:
\newsavebox{\music}
\savebox{\music}{\lilypond[fragment]{c d e f}}
\section{\usebox{\music}}
That works very well, and it is a solution for one line of
lilypond music. But this:
\newsavebox{\music}
\savebox{\music}{\lilypond[fragment]{c d e f
On Thursday 21 April 2005 07:48 am, you wrote:
Bernard Hurley wrote:
You are right there are restrictions on what can go in a section
header
which is why I said in a previous e-mail that this \section and
\subsection etc macros might need to be re-defined.
Your solution does not
Oh, now I see my mistake! Silly...
Thanks a lot!
Erik
--- Mats Bengtsson [EMAIL PROTECTED] wrote:
Why not try to add the Time_signature_engraver instead, that's
the one that typesets the time signature.
/Mats
Erik Ronström wrote:
Hi!
I often use lilypond (2.4.2) to produce
People have asked in the past for the ability to enter
notes without having to put in the chromatic signs
specified in the key signature. This sed filter
does that plus a few other things optionally.
I found it quite useful in doing my Alegrias for Rose
which is in E major. Here it is. daveA:
On 21-Apr-05, at 9:37 AM, Joshua Koo wrote:
Hi,
Just something to clarify using chords in a relative block, lets say
\relative {
pitchA pitchB pitchC pitchD
}
which pitch will be relatived to which pitch?
pitchB relative to pitchA. PitchC relative to B. pitchD relative to B.
\relative
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