Please check in the documentation what \center-align does.
Actually, your first example can just as well be written as
\override TextSpanner #'edge-text = #(cons (markup #:finger "1 " " "
) "")
which seems to be equivalent to
\override TextSpanner #'edge-text = #(cons (markup
#:line (#:fin
I doubt it, but you would have to go to those projects' websites to find
out for certain.
http://www.rosegardenmusic.com/
http://denemo.sourceforge.net/
-Josiah
Mehmet Okonsar wrote:
does anybody have heard of a windows build of Denemo and /or Rosegarden? Is
there
a way to have them running
And I have an other idea. I am mainly interested in choral music. If
one enters every voice for itself and puts it together in a score
block (like I did in the example), LiliPond typesets the rests for
each voice. So it would be nice to have an option like "\shareRests"
or something, that equ
On 9 Aug 2005, at 00:49, Graham Percival wrote:
How do I get the \acciaccatura to end up before the automated bar
line of a measure, i.e., attached to a note immediately following
the bar line?
You read section 6.4.6 Grace notes ?
Sure, and also the other references you gave me before.
Bertalan Fodor wrote:
And I have an other idea. I am mainly interested in choral music. If
one enters every voice for itself and puts it together in a score
block (like I did in the example), LiliPond typesets the rests for
each voice. So it would be nice to have an option like "\shareRests
On 9 Aug 2005, at 00:50, Graham Percival wrote:
Apparently one just adds a few more "override-auto-beam-setting":
\time 7/16
#(override-auto-beam-setting '(end * * 7 16) 2 16)
#(override-auto-beam-setting '(end * * 7 16) 4 16)
Sorry for bothering you with so simple matters.
Can one insert
On Friday 29 July 2005 02.26, Bodo wrote:
> Hi,
>
> Every piece of documentation about grace notes I have found so far connects
> the grace note with the normal note that follows it.
> However, I want to add two grace notes that are sung on the same syllable
> as the previous note, and hence they s
Hans Aberg wrote:
Thank you for reply. But I am not sure what you are hinting at here. If
I use \grace, it always ends up after the bar-line, and if I use
\afterGrace to get it before the bar-line, as below, the tie ends up
wrongly.
\relative {
\tempo 4 = 144
\key e \minor
\time 7/
On 9 Aug 2005, at 12:45, Mats Bengtsson wrote:
Thank you for reply. But I am not sure what you are hinting at
here. If I use \grace, it always ends up after the bar-line, and
if I use \afterGrace to get it before the bar-line, as below, the
tie ends up wrongly.
\relative {
\tempo 4 = 1
The easiest way to automate it is probably to do something like
(assuming the piece repeats this pattern 12 times)
barlines = { \repeat 12 {s8*7 \bar ":" s8*7 \bar ":" s8*11 | }
which you can add in one of your staves (since a \bar statement
applies to all staves, you can add it anywhere):
\sco
Mats Bengtsson wrote:
The easiest way to automate it is probably to do something like
(assuming the piece repeats this pattern 12 times)
barlines = { \repeat 12 {s8*7 \bar ":" s8*7 \bar ":" s8*11 | }
This should of course be
barlines = { \repeat unfold 12 {s8*7 \bar ":" s8*7 \bar ":" s8*11 |
On 9 Aug 2005, at 13:42, Mats Bengtsson wrote:
The easiest way to automate it is probably to do something like
(assuming the piece repeats this pattern 12 times)
barlines = { \repeat 12 {s8*7 \bar ":" s8*7 \bar ":" s8*11 | }
which you can add in one of your staves (since a \bar statement
appl
A while back I asked about the possibility of, and then sponsored, a
feature to tie grace note and other arpeggios to a following chord.
Han-Wen created the
\set tieWaitForNote = ##t (or ##f, as the case may require)
feature as a result, which greatly simplified the piano score I was
notating at
On Tuesday 09 August 2005 05.07, Graham Percival wrote:
> On 8-Aug-05, at 1:41 AM, Klaus Rettinghaus wrote:
> > Now let's talk business: I noticed a little bug, if I may name it this
> > way.
> > If you got two voices in one staff and the upper has a dotted note
> > between two lines, while the low
All,
it seems that Lilypond still manages the tied chords poorly, and the ties
in chords collide very often.
e.g. see:
http://personales.ya.com/v_s_d/tied_chords.png
imho this problem should be solved to avoid "poor looking" spots in the
otherwise gorgeously engraved lilypond scores, so I
On Tue, Aug 09, 2005 at 09:14:55PM +0200, VSD wrote:
> All,
> it seems that Lilypond still manages the tied chords poorly, and the ties
> in chords collide very often.
>
> e.g. see:
> http://personales.ya.com/v_s_d/tied_chords.png
>
> imho this problem should be solved to avoid "poor looking" s
On Tuesday 02 August 2005 14.09, Mats Bengtsson wrote:
> Both problems pointed out in this thread show a limitation in
> the handling of volta brackets. A volta bracket is only printed
> over contexts where the property voltaOnThisStaff is set to true.
> At the beginning of a score, this property i
Hey, y'all:
Anyone else willing to help co-sponsor Han-Wen's work on
this feature, if he considers it feasible?
I might be interested, depending on the ante...
Cheers,
Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.
> My suggestion would be to extend the TieColumn object to have a
> "direction" property for each tie, e.g. in a list. [...]
Note that the whole code for handling ties must be rewritten. Adding
features as you suggest is something which comes afterwards.
Werner
_
I'd like to globally reduce the size of my chord names. Right now, I
have the following in a chordmode block:
\chordmode {
\override ChordNames.ChordName #'font-size = #0
. . .
}
Which works, but requires me to duplicate the "override" in every set of
chords. Is there a way to set it onc
On 9-Aug-05, at 9:07 PM, Basil Crow wrote:
Which works, but requires me to duplicate the "override" in every set
of chords. Is there a way to set it once for a document instead of
individually?
Please read Chapter 9 Changing defaults. Specifically 9.1.5 Changing
context
default settings.
To all the OSX users out there: if you open a lilypond .pdf file with
Apple's Preview (on 10.3.9, at least) and print to pdf, the resulting
pdf
does not correctly embed lilypond fonts, which results in ugly dynamics
when you try to print it from another machine.
You might have tried this if you
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