I was unable to use that command with success.
I made a drawing in Corel 11, exported it as eps but it did not get into the
file.
However the command as it is given in the regression tests worked fine?..
Can anybody send me a tried and successfully imbedded eps file for me to
try..
Thanks
Best Reg
On Thu, 2005-09-22 at 00:42 +0200, Han-Wen Nienhuys wrote:
> David Bobroff wrote:
> > I think this music was prepared with either Sibelius or Finale but I'm
> > not sure which (one clue; when slurs/ties pass through time signatures
> > they 'white out' as they cross them). I used to use Finale but
Title: Message
Graham -
Here's a trim-down of the thread, for sticking in the manual,
in the section on ties, or repeats, or both. Edit to suit.
There ought to be a better way that makes the tie more
pronounced, but a simple way eludes me.
- Bruce
Kevin -
Yes, if:
1) The output from 2.4.6 is what you expect, and
2) No one points out a pertinent change from 2.4.6 to 2.6.0.
Please reduce to minimum necessary to show the problem.
- Bruce
-Original Message-
From: Kevin Nowaczyk [mailto:[EMAIL PROTECTED]
Sen
On 21-Sep-05, at 4:25 AM, Fairchild wrote:
Thanks. Your two alternatives should make the docs, maybe Tips and
Tricks.
Well, you know how to do that. You can add it to the LSR or the
lilypond wiki,
or write some text and copy the example and send it to me for inclusion
in
the manual.
Che
On 20-Sep-05, at 1:37 AM, Mehmet Okonsar wrote:
When I insert such a long markup:
--
_\markup { \large \bold {C} \natural \bold {D} \flat \bold {E} \sharp
\bold
{F} \flat \bold {G} \natural \bold {A} \flat \bold {B} \sharp}
--
I
On 20-Sep-05, at 11:22 AM, [EMAIL PROTECTED] wrote:
\relative c'' {
\override TextSpanner #'edge-text = #'("s.p." . "ord.")
\override TextSpanner #'bound-padding = #1.0
\override TextSpanner #'dash-fraction = #'()
\override TextSpanner #'arrow = ##t
a8\startTextSpan gis8 a4 b4
b,4
David Bobroff wrote:
I think this music was prepared with either Sibelius or Finale but I'm
not sure which (one clue; when slurs/ties pass through time signatures
they 'white out' as they cross them). I used to use Finale but I never
encountered this sign before.
Just thought I'd toss this out
Nicolas Sceaux wrote:
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
I could implement the following:
add a property line-break-system-details
PRICE: 130 euro
In addition, I could also make an alignment-stretch-factor
This would make it possible to set the distance between staves in
indivi
On 20-Sep-05, at 10:07 AM, Kevin Nowaczyk wrote:
I've cut out a lot of the extra stuff from my file.
I'm guessing nobody looked at it.
Again I'm using version 2.6.0 in cygwin.
I just tried it in 2.7.8 and didn't have any error messages. Could you
try
an updated version of lilypond?
Cheer
On 20-Sep-05, at 2:32 PM, laurent ducos wrote:
But i must say that lilypond documentation for the guitar is too short,
and transpose the example remains difficult.
Please see
http://lilypond.org/web/devel/participating/documentation-adding
In particular, I've never played guitar, nor looked
On 21-Sep-05, at 2:43 AM, Mehmet Okonsar wrote:
Despite my efforts I wasn't been able to make this:
---
\new DrumStaff{
\set DrumStaff.drumStyleTable = #timbales-style {
\drummode { timh8 timh ssh timl ssh16 ssl cb4 }}
}
--
It gives a 5 lines staff
On 20-Sep-05, at 10:11 PM, Peter Chubb wrote:
How do I get Lily to use a more sensible font for PDF output? Because
I don't have New Centiury Schoolbok installed on my system, lyrics
come out in Courier (and look awful). The documentation just says
`the default font is set by Pango/font' whic
On 9/21/05, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> >-- Original Message --
> >Subject: half-dot
> >From: David Bobroff <[EMAIL PROTECTED]>
> >To: lilypond-user@gnu.org
> >Date: Wed, 21 Sep 2005 15:09:12 +
> >Reply-To: [EMAIL PROTECTED]
> >
> >
> >Just posting this as general interest.
>
So if it compiles in 2.4.6 but not in 2.6.0 is this a
bug that I should report to the bugs list?
--- Fairchild <[EMAIL PROTECTED]> wrote:
> Kevin -
>
> I looked at it. Your truncated file compiles
> without error in version
> 2.4.6.
>
> The output looks strange, attached.
>
>
The manual describes the \set ignoreMelismata = ##t
property. Is there a similar way to temporarily
ignore a tie for positioning lyrics?
Kevin Nowaczyk
__
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Tired of spam? Yahoo! Mail has the best spam protection around
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On Wed, 2005-09-21 at 21:38 +0200, Roland Goretzki wrote:
> Autopackage seems to be quite easy, I think.
> But during the install process I got the message, that I have to have a
> newer version of guile.
> And now there is a problem with installing guile 1.6.7.
>
> But this is not for this list.
Hello list, hello Yosiah,
You wrote:
> > So, if I understand correctly, at the moment the only way to get 2.6 or
> > 2.7 for my debian systems would be installing from source, am I right?
>
> No. That is not what I said.
Yes, You are right, I reread Your E-Mail.
Autopackage seems to be quite ea
Han-Wen Nienhuys <[EMAIL PROTECTED]> writes:
> I could implement the following:
>
> add a property line-break-system-details
> PRICE: 130 euro
>
> In addition, I could also make an alignment-stretch-factor
> This would make it possible to set the distance between staves in
> individual staves eas
>-- Original Message --
>Subject: half-dot
>From: David Bobroff <[EMAIL PROTECTED]>
>To: lilypond-user@gnu.org
>Date: Wed, 21 Sep 2005 15:09:12 +
>Reply-To: [EMAIL PROTECTED]
>
>
>Just posting this as general interest.
>
>Next week we (Iceland Symphony) will be playing Kalevi Aho's flute
>conce
Kevin -
Try
\override MultiMeasureRest #'transparent = ##t
- Bruce
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Kevin Nowaczyk
Sent: Wednesday, September 21, 2005 10:50 AM
To: lilypond-user@gnu.org
Subject: transparent rests
I'd like to make all the rests on the tab portion of
my score transparent.
\override Rest #'transparent = ##t
works fine for the rests maked with a lower-case r,
but upper-case R rest are still displayed. What do I
need to put in place of Rest to make those transparent
as well.
lilypond 2.6.0
Just posting this as general interest.
Next week we (Iceland Symphony) will be playing Kalevi Aho's flute
concerto. I noticed an odd notation. In a 5/4 measure there was a
whole note immediately followed by a small x (looks more like a
multiplication symbol) and no other notes in the measure. I
Attached a 7-measure example in .ly format to show what I mean ;-)
In the case of multi-voice polyphony on a stave dotted notes get all
their dots precisely below each other on a single line. In most cases
this looks best, but sometimes it makes a dot 'float' and almost cause a
collision with
How do I get Lily to use a more sensible font for PDF output? Because
I don't have New Centiury Schoolbok installed on my system, lyrics
come out in Courier (and look awful). The documentation just says
`the default font is set by Pango/font' which helps me not at all...
--
Dr Peter Chubb htt
Le mardi 20 septembre 2005 à 11:33 +0200, Mats Bengtsson a écrit :
> I hope you know that you can click on every example in the
> on-line documentation, to see the corresponding LilyPond code.
> For example, the second example in Section "7.5.2 Tablatures basic"
> seems very similar to what you wan
Mats -
Thanks. Your two alternatives should make the docs, maybe Tips and Tricks.
In your preferred case, using a hidden grace longer than 1/16 causes a third
ending to be inserted. Why? Bug?
Using
{\grace{\hideNotes g32 ( g32 }\unHideNotes a4 ) g e d | c1 }}
improves the tie by maki
Hi everyone!
May be it can be useful to have the option of printing a grid, ideally in
light gray with a spacing of 1 staff-space, to deal with paddings and
extra-offset's in a preliminary print-out...
That's something I was thinking of some time ago. In my opinion it would
be best to define su
Despite my efforts I wasn't been able to make this:
---
\new DrumStaff{
\set DrumStaff.drumStyleTable = #timbales-style {
\drummode { timh8 timh ssh timl ssh16 ssl cb4 }}
}
--
It gives a 5 lines staff when I want 2..
The manual on the subject presuppose
Mojca Miklavec writes:
> Just to make sure: does that mean that something like:
>
> # in file lilypond.bat somewhere in PATH:
> C:\progs\lilypond\usr\bin\lilypond.exe %1 %2 %3 %4 %5 %6 %7 %8 %9
Yes, but the git is in the phrase `something like'. It's all in the
list archives, there's no need to
Peter Mogensen wrote:
Mats Bengtsson wrote:
* Ties are not continued into second endings
The standard trick is to add a tie from an invisible note. You can
find several examples in the mailing list archives.
I did that.
But this is also one of the examples where the "hack" doesn't play we
Even if you had such a grid, you have to notice that if you move one
object by specifying the padding, then other objects may move as well
(since LilyPond tries to avoid certain collisions).
The easiest way to implement such a grid is probably to use embedded
postscript code in a text markup or i
Mats Bengtsson wrote:
> I hope you know how to fix it, namely to insert a \grace{s4} in the
> beginning of the second ending of all other voices. Example:
[snip]
> The other alternative that is often used is to fiddle with the
> durations, as in the following example, but then you either get
> the
If you search the mailing list archives, you will find out that
the part combiner mechanism has many problems and that there is
some ongoing work to reimplement it completely.
/Mats
Anna Choma wrote:
Hello,
I write an orchestra piece and have some problem with partcombine
formatting.
1) I
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