Hi list,
I have some ties at the end of a line that appear
unreadably small, like little dots. It seems that
\overriding the Tie 'control-points doesn't work
anymore (bug?) Is there any way to increase the size
of these ties?
Many thanks,
Edward Neeman
___
--- "Jay Hamilton, Sound and Silence"
<[EMAIL PROTECTED]> wrote:
> I think I've copied (retyped) it from the manual.
>
> \once \override TextScript #'padding = 2.0
> \markup{ \italic Moderato }
add a hash: #2.0
Cheers,
Edward Neeman
__
Jay Hamilton, Sound and Silence wrote:
I think I've copied (retyped) it from the manual.
\once \override TextScript #'padding = 2.0
\markup{ \italic Moderato }
All I am attemptin is to get the word Moderato higher above the notes
of the staff.
the response I get is
C:/Documents and Setting
I think I've copied (retyped) it from the manual.
\once \override TextScript #'padding = 2.0
\markup{ \italic Moderato }
All I am attemptin is to get the word Moderato higher above the notes of
the staff.
the response I get is
C:/Documents and Settings/Owner/Desktop/NoteWorthy/nwc files/Guit
Hi,
I'm noticing that objects that are near the edge of the fragment (such
as the '3' in a triplet in relation to the bottom of the output) are
being clilpped slightly (the bottom of the 3 gets cut off). I've noticed
this with text on the right edge of the fragment as well (in this case,
the right
Yes, sorry, I meant 2.6.4.
Will
On Nov 2, 2005, at 3.59 AM, Mats Bengtsson wrote:
I can't provide any hints on the font problems directly, but are
you sure that
you reinstalled version 2.6.3? The printouts say 2.6.4!
/Mats
Will Oram wrote:
I need to use lilypond-book so I reinstalled th
--- Mats Bengtsson <[EMAIL PROTECTED]> wrote:
>
> >>In the 5th bar, I'm puzzled as to why the running
> >>trill line does not span
> >>to the end of the bar when I explicitly attached
> the
> >>\stopTrillSpan at the
> >>last spacer quarter note of the bar? I could
> "cheat"
> >>by attaching
>
On 2-Nov-05, at 1:36 AM, Mats Bengtsson wrote:
Actually, \cadenzaOn is just a shorthand for
\set Timing.timing = ##f
Arthur's code would probably work as expected if changed
score.timing into Score.timing or Timing.Timing (the latter
is recommended) or the shorthand \cadenzaOn.
This is why I
On 2-Nov-05, at 4:06 AM, Gilles wrote:
\documentclass{article}
\begin{document}
\lilypondfile{1allegro/score.ly}
\liypondfile{2largo/score.ly}
\end{document}
If I understand correctly, this is to make it possible to insert
text between the different movements (as is the purpose of \book).
Ri
[EMAIL PROTECTED] wrote:
>I have been able to get transparent note stems working.
>
>Now I am trying to create to short vertical lines on each side of the stemless
>notes to indicate that there is a string of words sung on that one note in
>free time. I tried using the \barOne and \barTwo def
Henrik Frisk wrote:
That would actually be pretty neat...
Sponsored feature, anyone?
This sounds interesting, although I'm not quite sure what you mean. Once
I've imported a pdf into Scribus your suggestion would allow me to edit
the .ly file and then have the plugin render the new pdf and r
Hi everyone,The \partial command did, in fact, fix this. Below is the revised Lilypond code and a link to the PNG of the 2 affected lines.http://www.nd.edu/~srussel2/lilypond/correctedBeams.pngMaking the first group of 5 16ths into a "partial bar" and explicitly specifying an invisible bar between
Using Lily 2.6.4 with Cygwin
I have problems with new font system. If I do not specify anything, the
output is Sans-Serif. If I try to specify what is in the doc to have Roman
output, i.e.
#(define fonts
(make-pango-font-tree
"Times New Roman" "Helvetica" "Courier"
(/ mySta
Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> Arthur Dyck wrote:
> > I haven't seen anything on this list about Scribus, a linux-based
> > desktop publishing program. I have been playing with it and it has
> > some interesting features. Basically, you define your page size
> > with borders and t
I have been able to get transparent note stems working.
Now I am trying to create to short vertical lines on each side of the stemless
notes to indicate that there is a string of words sung on that one note in
free time. I tried using the \barOne and \barTwo definitions in the Gregorian
chan
(I did exactly that job using ConTeXt as typesetting environment for my
scores. We discussed of lily in the ConTeXt mailing list for a while.
Here two half-finished
works:www.semiotiche.it/andrea/membrana/nodi-I.pdf
www.semiotiche.it/andrea/membrana/nodi-II.pdf
score fragments by lily, graph
As long as you only have text markups attached to notes, read in
Section "8.1.1 Text scripts" on how to use \fatText. If you want
more spacing, you can use something like
\override TextScript #'extra-X-extent = #'(-0.5 . 0.5)
For \mark, I don't know the answer from the top of my head.
/Mats
Arthur Dyck wrote:
I haven't seen anything on this list about Scribus, a linux-based desktop
publishing program. I have been playing with it and it has some interesting
features. Basically, you define your page size with borders and then create
text or image boxes for your input. You can imp
I haven't seen anything on this list about Scribus, a linux-based desktop
publishing program. I have been playing with it and it has some interesting
features. Basically, you define your page size with borders and then create
text or image boxes for your input. You can import lilypond pdf ima
Thank you both for your suggestions. They are very helpful.
Arthur
On Wednesday 02 November 2005 04:36 am, Mats Bengtsson wrote:
> Actually, \cadenzaOn is just a shorthand for
> \set Timing.timing = ##f
> Arthur's code would probably work as expected if changed
> score.timing into Score.timing o
Hi,
I have a bar over which I have a couple of text markups (some attached
with \mark when I want them attached to barlines). However, I find that
longer text items run into each other. I've tried the 'padding'
attribute of TextScripts but it only seems to increase padding between
the staff and th
Hi.
>
> My solution is to use lilypond-book and \book:
>
> --- foo.lytex:
> \documentclass{article}
> \begin{document}
> \lilypondfile{1allegro/score.ly}
> \liypondfile{2largo/score.ly}
> \end{document}
>
If I understand correctly, this is to make it possible to insert
text between the differe
Hi.
>
> >Now, in the documentation for 2.6.3, I read about the \book block;
> >so, I changed the above into
>
> This isn't necessary. All toplevel \scores are put into a single book
> automatically.
>
Ah, I see, thanks.
I think that this, and Mats's clarification would be valuable
additions
Mats Bengtsson writes:
> Thanks for your efforts! However, is it really that hard to make a simple
> test case yourself?
Yes, it is. To me, the whole Windows platform is some sort of ugly
black voodoo, as you can see from the snippets I sent, it works for
me. Just as the previous release worked
Gilles wrote:
Hello.
To generate a piece with multiple movements, I'm used to the
following document layout, which compiles fine:
Now, in the documentation for 2.6.3, I read about the \book block;
so, I changed the above into
This isn't necessary. All toplevel \scores are put into a sing
Thanks for your efforts! However, is it really that hard to make a simple
test case yourself? There are still a number of problems to solve:
When you run from the Windows (XP) command window:
1. Python is still not setup correctly. For example, you get:
>>midi2ly
Traceback (most recent call last
The only reason to use \book{...} in an ordinary .ly file is if you want
several output PDF files from one single .ly file (you get one PDF for
each \book{...} section if you have several of them).
If you have a single \book{...} in a .ly file, you can simply remove it
and get the same result (exc
Actually, \cadenzaOn is just a shorthand for
\set Timing.timing = ##f
Arthur's code would probably work as expected if changed
score.timing into Score.timing or Timing.Timing (the latter
is recommended) or the shorthand \cadenzaOn.
Note that LilyPond is sensitive about uppercase/lowercase!
/Mat
But, the \partial command is supposed to fix that, isn't it?
There shouldn't be any need for manual beams.
/Mats
Edward Neeman wrote:
Hi Scott,
Even though it is a cadenza, the beams still work in
4/4. If you count it out, you will realise that the
beams are split in the natural place for
I can't provide any hints on the font problems directly, but are you
sure that
you reinstalled version 2.6.3? The printouts say 2.6.4!
/Mats
Will Oram wrote:
I need to use lilypond-book so I reinstalled the 2.6.3 Terminal
version on 10.4.2 from fink, in addition to regular use of the .app.
Jason Addison wrote:
What is the recommended technique for defining tunes in separate files
so that they can be used to generate pdf with only that tune, or pdf
wth several consecutive tunes? For example (what I'm try and failing
with--I thing because I use variables outside of score but insid
In the 5th bar, I'm puzzled as to why the running
trill line does not span
to the end of the bar when I explicitly attached the
\stopTrillSpan at the
last spacer quarter note of the bar? I could "cheat"
by attaching
\stopTrillSpan to a hidden grace note at the end of
the bar but I wouldn't
l
If you don't want barlines (except where you specify
them explicitly) add /cadenzaOn to any of the parts.
Otherwise it will add bars in 4/4 (default) time.
Cheers,
Edward Neeman
--- Arthur Dyck <[EMAIL PROTECTED]> wrote:
> Can anyone tell me why I have an extra bar before
> the double bar? I do
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