I have already sent a font problem with lilypond on cygwin (2.6.4) but
nobody could answer: on cygwin, by default, the font is "sans serif" and
not roman. If I apply what's in the doc to be roman, then "\italic" does
not work anymore.
There is also the problem you mention: on cygwin, the versi
have you tried overriding with #'padding instead of #'extra-offset?
josiah
On Sun, 11 Dec 2005, Kenneth Teh wrote:
I'm having trouble placing the coda symbol. The
closest I've come to what I want is reproduced below.
g2 c,2 | \mark \markup { \small \musicglyph
#"scripts.coda" } % ma
I'm having trouble placing the coda symbol. The
closest I've come to what I want is reproduced below.
g2 c,2 | \mark \markup { \small \musicglyph
#"scripts.coda" } % mark jump point
r8 g'8 af8[ g8] ef4 d4 |
c1~ |
c1
\once \override Score.RehearsalMark
Erik Sandberg wrote:
Each syntactic thing you can do for actual music entry---i.e. most of
what you type inside \score other than managing contexts---is
interpreted as a musical expression, much as 3+4 might be interpreted as
a mathematical expression. As each expression is read in, it is
classi
On Sunday 11 December 2005 07.33, Don Blaheta wrote:
> It all started with wanting to just move over a few pieces of text, but
> finally I sat down and worked my way through the labyrinth of figuring
> out how the system works. The problem is that there are a lot of
> high-level concepts, like "gr
Hi,
I just downloaded lilypond for windows,
it takes about 15sec to launch, and then displays quick dos window that closes
immediatly.
But it works !).
So I tried the cygwin version, and it is much quicker, and the script lily-wins opens the
pdf automatically which is great.
Unfortunately, al
Pedro M (Morphix user) wrote:
I suggest the user can include the lyrics with the music notation in a
similar way to karaoke files (so, the user play the music in a MID and
sing the songs too).
IIRC, this already works. Are you suggesting this as a feature,
sponsored feature, or what?
--
Title: Ossia up?
The ly file below creates a single bar (ossia) below the main staff line. How to position it above?
- Bruce
\version "2.4.6"
\score {
\relative c'' {
| e1
<<
On Thursday 08 December 2005 09:14 am, Simon wrote:
> Hi,
>
> I'm a beginner at lilypond and I am getting confused trying to do
something
> which seems to be a very natural and frequently occuring task to me,
but for
> which I cannot find proper documentation and/or examples on the web
and in t
Hi.
> > 2) I've noticed lyrics misalignments before, but they seem worse
> > recently; this piece is a good example. Actually, as I look at it I
> > think the lyrics syllables are horizontally centred with each other, but
> > left-aligned with the note head. That's not how I thought it was
> > s
Why isn't this the default?
Would it be possible to add those rules to auto-beam.scm?
Frédéric
Mats Bengtsson wrote:
A better solution is to tell LilyPond to automatically beam the
triplets this way, see "8.6.2 Setting automatic beam behavior" for
more details. For Jutta's example, just add
#
Why, when I specify something like 'a:sus' in chordmode, and have lilypond
print the chords, it only prints 'A' instead of 'Asus'? Is there a simple way
to get lily to actually print the 'sus' on the page?
David Wynn
[EMAIL PROTECTED]
___
Don Blaheta <[EMAIL PROTECTED]> writes:
> Is it possible that when configuring lilypond you don't require the
> super-duper latest version of all the libraries unless there's actually
> some feature there that you need?
I don't think so.
> Which certainly sets an awfully high bar for contributi
So I managed to find workarounds for two of the problems:
> 1) Is there any way to make the stanza numbers line up? Virtually every
> time I've done stanza numbers, they've looked like this, sometimes worse
> (overprinting the start of the line).
The answer I've found is "forget stanzas and use
14 matches
Mail list logo
