> how can I individually control the volumes of instruments in a midi file
> produced by lilypond? the manual suggests the use of "instrumentequalizer",
> but no syntax or example are given. Any hints?
You would try these settings:
\set Staff.midiMinimumVolume = #0.2
\set Staff.midiMaximumVo
One thing that caught my attention was that you have Lyrics contexts
within a Staff context. Try to move them
outside the \context Staff = tenoo << ... >>. I'm not sure if that's
the problem here, but it's at least
a common source of problems.
/Mats
Quoting "Graeme St.Clair" <[EMAIL PROTEC
Good day,
With mandrake 2006, lilypond-2.7.18 is very
perfect
Thank you very very much.
Michel
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> sorry as this is somewhat off-topic, but as the Rosegarden MIDI editor
> makes some use of Lilypond, I thought some of you might know which
> would be the best forum to ask Rosegarden-specific questions. The
> places I dug up at Google didn't quite look like equivalents to this
> list.
Have
On Monday 06 March 2006 22.52, Tapio Tuovila wrote:
> MX kirjoitti:
> > Bonjour à tous, Hi all.
> >
> > On the attached picture [original.png] at the sopano voice, at the
> > beginning of the measure, there are at the same time an F quarter note
> > with a mordent (only for this note) and a dotted
Hi !
After reading the archive of this list, I created a file init.el,
and I wrote these lines in it :
;;; lilypond-init.el --- Startup code for LilyPond mode
(autoload 'LilyPond-mode "lilypond-mode")
(setq auto-mode-alist
(cons '("\\.ly$" . LilyPond-mode) auto-mode-alist))
(add-hook 'L
Hello,
I apologize if this has already been asked, but here's the question:
how can I individually control the volumes of instruments in a midi file
produced by lilypond? the manual suggests the use of "instrumentequalizer",
but no syntax or example are given. Any hints?
Thanks in advance.
--
View
Quoting MX <[EMAIL PROTECTED]>:
> Bonjour à tous, Hi all.
>
> On the attached picture [original.png] at the sopano voice, at the
> beginning of the measure, there are at the same time an F quarter note
> with a mordent (only for this note) and a dotted eighth note A. In the
> original score, these
Again, Windows XP native, 2.6.5. Also W98,
2.7.37.
With the structure described below, I get a
mysterious extra staff in the first system of the piano score. It has
only a treble clef and a C = common time, not even any staff lines, still less
any notes. This also happened before I made
Windows XP, native 2.6.5.
I've just finished building a TTBB arrangement,
with the piano accompaniment for rehearsal purposes extracted at the end, as in
Sec 3.4.2 of the manual. I see it has all the vocal dynamics and
markup splatted on top of each other, fortunately not to the point of t
MX kirjoitti:
> Bonjour à tous, Hi all.
>
> On the attached picture [original.png] at the sopano voice, at the
> beginning of the measure, there are at the same time an F quarter note
> with a mordent (only for this note) and a dotted eighth note A. In the
> original score, these notes are well dis
Hi all,
sorry as this is somewhat off-topic, but as the Rosegarden MIDI editor
makes some use of Lilypond, I thought some of you might know which
would be the best forum to ask Rosegarden-specific questions. The
places I dug up at Google didn't quite look like equivalents to this
list.
Thanks i
Did you cut and paste out of the PDF documentation? If so you may have picked up
a typesetting apostrophe instead of the standard one Lilypond likes. I made this
mistake myself in another context and in drove me crazy until someone clued me
in. Just type over the offending apostrophe(s) with the on
On Feb 27, 2006, at 12:16 PM, Orm Finnendahl wrote:
Hi,
trying to input my first complete piece with lilypond (Bach's Prelude
#20 from the WTC I), I stumbled across a rather trivial problem: A
32nd rest in a polyphonic 2nd voice collides with a note in the first
voice. Can someone give me a h
On 3/5/06, Graham Percival <[EMAIL PROTECTED]> wrote:
>
> On 5-Mar-06, at 9:19 AM, Trevor Bača wrote:
>
> >
> > /Applications/LilyPond.app/Contents/Resources/share/lilypond/2.7.35/
> > ly/property-init.ly
>
> You can also get this by right-clicking on the Lilypond application and
> selecting "show
Henrik Frisk wrote:
[lilypond svg]
I would really appreciate it if the fonts where included in the
output. As I have not been successful in getting the fonts to
load in
They are. The problem is that most SVG renderers (including
Inkscape and
Firefox) don't handle the tag, which means tha
Hi!
I just installed 2.7.37-1 (afaik, the most recent version) on my FreeBSD
5.3 machine. I had done the same with my Windoze machine with no hitch.
My previous version was 2.7.30, done with the same installer you have
currently.
Anyway, when I tried to run the new version on one of my exis
I should have also said I needed an extra \clef "violin_8" (as the TT parts
used that), plus two times \set Staff.quotedEventTypes = #'(note-event
rest-event dynamic-event) . Still, only 11 lines of small alterations ain't
too bad...
Rgds, G.
- Original Message -
From: "Graeme St.Cl
Hi,
Since I'm sure there's a burning need for LimeGreen-colored note
heads, I've put together a proof of the 136 colors given in the first
block of x11 colors in appendix C.3.
Rendering the file produces a table of big blobs of color in the form
of gigantic noteheads. Color names mark up beneath.
On Mar 6, 2006, at 5:01 AM, Mats Bengtsson wrote:
The old \turnOff macro had nothing to do with what you are asking
about. Rather, the built-in rule is that you get a right edge of
the bracket if it ends at a bar line that is
either a repeat or a double bar line (with one of the lines
thick
Hi.
> Here is my code.
> {
> ees'' g'2 ees''4 d'' c''
> \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
> \once \override Score.RehearsalMark #'font-size = #1 #'self-alignment-X
> #RIGHT
> \mark \markup { "Al coda" \hspace # 1 \raise #-3 \musicglyph
> #"scripts.cod
Thank you, \addquote did the trick! I only had to add 4 \addquote's, 1 per
part, then change each of the 4 piano lines of code from << \global
\bassMusic >> to << \global \quoteDuring #"bassMusic" { s1*39 } >>. Very
neat, very clean - the only temporary roadblock was finding the s1*39
notatio
On 3/5/06, Carrick Patterson <[EMAIL PROTECTED]> wrote:
> Including the Macintosh? If it's there, I can't find it with the most
> elaborate
> file-searching method I own.
[Response at bottom; please bottom-quote.]
> Quoting Erik Sandberg <[EMAIL PROTECTED]>:
>
> > On Sunday 05 March 2006 03.04,
On Monday 06 March 2006 01.41, Graeme St.Clair wrote:
> Windows XP, native 2.6.5.
>
> I've just finished building a TTBB arrangement, with the piano
> accompaniment for rehearsal purposes extracted at the end, as in Sec 3.4.2
> of the manual. I see it has all the vocal dynamics and markup splatted
Citerar "Jay Hamilton, Sound and Silence" <[EMAIL PROTECTED]>:
> I'm sure this is easy but I can't even begin to figure
> out a way to search it in the manual
>
> I used \setEasyHeads for many of my students pieces but
> I would like to stop that function mid-way through the
> piece or even ju
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