2006/5/24, Joe Neeman <[EMAIL PROTECTED]>:
It appears it didn't, thanks.
Can I apply this to 2.8, Han-Wen?
please do.
--
Han-Wen Nienhuys
[EMAIL PROTECTED]
http://www.xs4all.nl/~hanwen
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On Wed, 2006-05-24 at 16:45 +0100, Ralph Little wrote:
> Hi,
> Cheers.
> I just downloaded 2.8.3 and it's still wrong unfortunately.
>
> Do you know if it got into 2.8.3?
It appears it didn't, thanks.
Can I apply this to 2.8, Han-Wen?
2006-05-25 Joe Neeman <[EMAIL PROTECTED]>
* lily/
On 24-May-06, at 1:41 PM, Michael Meixner wrote:
Graham Percival gmail.com> writes:
I'm looking for a volunteer to do a small (although somewhat advanced)
documentation project. This involves writing music functions. The
chapter on music functions has just been almost totally rewritten, so
Graham Percival gmail.com> writes:
>
> I'm looking for a volunteer to do a small (although somewhat advanced)
> documentation project. This involves writing music functions. The
> chapter on music functions has just been almost totally rewritten, so
> it should be music easier to understand
1. The best workaround so far is editing the titling-init.ly as follows.
Find:
\fill-line {
\fromproperty #'header:poet
{ \large \bold \fromproperty #'header:instrument }
\fromproperty #'header:composer
}
and replace with:
\fill-line {
\fromproper
Mats:
Figured it out! (At least I think so -- please correct me if I'm
wrong...)
Thanks!
Kieren.
%% CODE SNIPPET BEGINS
\version "2.9.5"
fSempre = #(make-dynamic-script (markup #:line(#:hspace 0 #:translate
( cons 6.5 0 ) #:dynamic "f" #:normal-text #:italic "sempre" )))
subP = #(make-dyn
Hello,Just wondering how to connect arpeggio brackets. I've done the \set PianoStaff.connectArpeggios = ##t and I've done \arpeggioBracket \arpeggio in both staves. Without the \set PianoStaff... set LP draws brackets, but not connected. With the \set PianoStaff... set LP draws a regular arpegg
Hi, Mats!
Thanks for the hint. It actually took a fairly long time to track
down what I think you were sending me to track down:
%%CODE BEGINS
\version "2.9.5"
fSempre = #(make-dynamic-script (markup #:line(#:dynamic "f" #:normal-
text #:italic "sempre" )))
\paper
{
line-width = 4
Hi,
Cheers.
I just downloaded 2.8.3 and it's still wrong unfortunately.
Do you know if it got into 2.8.3?
Regards
Ralph
> -Original Message-
> From: Joe Neeman [mailto:[EMAIL PROTECTED]
> Sent: 24 May 2006 12:30
> To: Ralph Little
> Cc: lilypond-user@gnu.org
> Subject: Re: Tremolo posi
If you read the section on Dynamics in the manual, you will find
a link that provides a solution.
/Mats
Quoting Kieren Richard MacMillan <[EMAIL PROTECTED]>:
Hello, all!
Considering the following code:
%% CODE BEGINS
\version "2.9.5"
\paper
{
line-width = 4\in
indent = 0\i
hi lilyponders,
I have two voices and want to connect the arpeggio
have something like this
<< { 4\arpeggio} \\ { 8.\arpeggio} >>
\set PianoStaff.connectArpeggios = ##t dont seem to work
Thanks
Georges
\version "2.6.3"
\header {
title = ""
subtitle = ""
composer = ""
style
Hello, all!
Considering the following code:
%% CODE BEGINS
\version "2.9.5"
\paper
{
line-width = 4\in
indent = 0\in
}
\relative
{
\override Staff.TimeSignature #'stencil = ##f
c1\p\< c\!\f \break
c\p\< c\!_\markup { \dynamic f \italic "sempre" } \break
- Original Message -
From: "zrlaszlo" <[EMAIL PROTECTED]>
To:
Sent: Tuesday, May 23, 2006 3:27 AM
Subject: Re: German Text Characters
Unfortunately, you have not told us, what OS and Lilypond version you are
using (Linux or Windows). Anyway, the solution below should work. Just
ma
- Original Message -
From: "Graham Percival" <[EMAIL PROTECTED]>
To: "bears388" <[EMAIL PROTECTED]>
Cc:
Sent: Tuesday, May 23, 2006 4:50 PM
Subject: Re: German text characters
On 23-May-06, at 3:39 AM, bears388 wrote:
Downloaded the 2.8.2 Manual, and found the entries the same. I
Hi,
there is a reply on 23rd May, 2006, here:
http://www.nabble.com/German+Text+Characters-t1667271.html
I cut&paste here a file I made for testing purposes before I replied to you.
Try to generate a .pdf. I would like to hear about how it works. I know not
too much german, so, if I wrote somethi
Kieren Richard MacMillan <[EMAIL PROTECTED]> writes:
> Hello, all --
>
> Some time ago, Werner started a thread with
>> It seems that \parallelMusic doesn't work with \relative. This makes
>> it very unnatural to work with. Any chance to implement something
>> similar, say, a special mode where
[EMAIL PROTECTED] wrote:
>
> From: <[EMAIL PROTECTED]>
> Sent: Tuesday, May 23, 2006 8:15 AM
>
>
> > I'm trying to fit a piece of music onto one page. By default, lily
> > formats it as 11 systems, 10 on the first page, 1 on the second. So I
> > told lily to fit it in 10 systems - which it nicel
1- For the glissando, how can you connect notes between 2 chords?
I tried \glissando , but it only connected the c & f. There was no
line between e & a.
2- For qurater flats, how can I get a quarter flat to be output as a slashed
flat?
If I enter "ceh", I get an inverted flat while entering ceseh
On Wed, 2006-05-24 at 10:06 +0100, Ralph Little wrote:
> Hi,
> I saw some comments earlier on tremolo positioning.
>
> I've seen some issues with some tremolos on semiquavers in 2.8.1 (on
> windows)
This issue came up on the bug list recently and it should be fixed in
the latest stable version.
Anthony W. Youngman schreef:
Ummm. Thinking about it, I'm not sure... I looked up hidden notes in the
manual, and I'm not still not sure how to do it. Hidden notes have a
duration, and what happens if I'm in 2/4 and want to gliss down a minim...
it would be something like
c4*9/10 \gliss \
[EMAIL PROTECTED]:
> Hello
>
> I'm not yet sure if this is a lilypond-2.8.3, or a system dependency issue.
> I
> just keep on getting the same build error, even after applying the
> txt0Au64mQ5b.txt "diff" by Karl Hammar.
>
> Here is the following packages I have installed (Sorry about this
Hi,
I saw some comments earlier on tremolo positioning.
I've seen some issues with some tremolos on semiquavers in 2.8.1 (on
windows)
\include "english.ly"
\score {
{c'1:16
a'1:16
a''1:16}
}
The tremolo slashes cover the first and third note, although the "a" looks
fine.
On 24-May-06, at 1:33 AM, Erik Ronström wrote:
Is it possible to specify a "non-standard" key signature, e. g. a
combination of sharps and flats?
Yes. Please read doc section 6.3.2 Key signature.
To find out how to do this, see
keys.ly
key-signature-scorditura.ly
in the Regression tests doc
On 24-May-06, at 1:27 AM, bears388 wrote:
Sorry, it's me, again ...
Found two entries in the mailist archives:-
Read these threads:
http://lists.gnu.org/archive/html/lilypond-user/2006-01/msg00391.html
http://lists.gnu.org/archive/html/lilypond-user/2006-01/msg00015.html
Cheers,
- Graham
Hi!
Is it possible to specify a "non-standard" key signature, e. g. a
combination of sharps and flats? It is needed to notate certain kinds
of non-western modes (an example can bee seen at
http://dev.urbanninja.se/~erik/Vranjanka.pdf).
Regards
Erik
On 23-May-06, at 11:48 PM, Michael Meixner wrote:
while trying to set a polymetric piece (Dufay) I ran into a problem.
Please try the following snippet - I get barlines after the whole note,
and after ONE quarter, and then
the counting seems to be ok for the rest
(as if I had written \time 4/4
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